Audubon the Naturalist: A History of His Life and Time. Vol. 1 (of 2)Herrick, Francis Hobart
History
Audubon the Naturalist: A History of His Life and Time. Vol. 1 (of 2)
Herrick, Francis Hobart
Audubon, John James, 1785-1851
His long, loose, silvery locks struck me; he looked like
Franklin at his best. He also reminded me of Benjamin West;
he had the great benevolence of William Roscoe about him, and
a kindness most prepossessing. I could not forbear looking
at him; my eyes feasted on his countenance. I watched his
movements as I would those of a celestial being; his long,
heavy, white eyebrows struck me forcibly. His little room
was tidy, though it partook a good deal of the character of
a laboratory. He was wrapped in a quilted morning-gown of
light purple silk; he had been at work writing on the "Life
of Napoleon." He writes close lines, rather curved as they go
from left to right, and puts an immense deal on very little
paper.... I talked little, but, believe me, I listened and
observed.
Two days later Audubon paid Scott a second visit, this time with his
portfolio, but little was recorded of this interview other than that
it was more agreeable than the first, and that he greatly admired the
accomplished Miss Scott, to whom he later sent as a gift the first
number of his plates. Audubon's drawings were exhibited at a meeting of
the Royal Society over which Sir Walter presided, and Scott was also
in attendance at the Royal Institution when Audubon's large painting
of the Black Cocks was shown. "We talked much" on this occasion, said
the naturalist, "and I would have gladly joined him in a glass of wine,
but my foolish habits prevented me." This restriction on wine was soon
removed, as was that on whisky, whether of the Scotch or Kentucky brand,
and during his later life in America Audubon was never a teetotaler
by any means. While at the Exhibition Sir Walter pointed to Landseer's
picture of the dying stag, saying, "many such scenes, Mr. Audubon, have
I witnessed in my younger days." Audubon was doubtless too polite to
express an opinion of that popular artist, though of that very picture
he had written in his journal three days before that there was no nature
in it, and that he considered it a farce; "the stag," he said, "had
his tongue out, and his mouth shut! The principal dog, a greyhound,
held the deer by one ear, just as if a loving friend; the young hunter
had laced the deer by one horn very prettily, and in the attitude of a
ballet-dancer was about to cast the noose over the head of the animal."
Scott and Audubon were kindred spirits in their love of sport, of wild
and untameable nature, as well as of man in his Homeric relation to
it. Shortly after their first interview the great Scotsman wrote this
handsome tribute in his journal:
Public-domain text, read in full here on John Shaqi.
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