Audubon the Naturalist: A History of His Life and Time. Vol. 2 (of 2)Herrick, Francis Hobart
History
Audubon the Naturalist: A History of His Life and Time. Vol. 2 (of 2)
Herrick, Francis Hobart
Audubon, John James, 1785-1851
It is a tissue of the grossest falsehoods ever attempted
to be palmed upon the credulity of mankind, and it is
a pity that any thing like countenance should be given
to it, by reproducing it in a respectable Journal.
The romances of Audubon rival those of Münchausen,
Mandeville, or even Mendez de Pinto, in the total want
of truth, however short they may fall of them in the
amusement they afford.
This was rather a stiff charge to be made flatly against the reputation
of any one without the most careful investigation, even upon the
authority of "a scientific friend." Let us see, then, what basis, if
any, really existed for such sweeping charges. In the paper which
caused the trouble Audubon had described in great detail how he
had seen a large rattlesnake pursue, capture, kill by constriction,
and devour a gray squirrel. Before quoting his description of this
singular encounter, we shall recall a passage which Audubon wrote in
his journal at the time when it occurred,[60] when he was at "Oakley,"
the plantation of James Pirrie at St. Francisville, Bayou Sara, in the
summer of 1821: "August 25. Finished drawing a very fine specimen of a
rattlesnake, which measured five feet and seven inches, weighed six and
a quarter pounds, and had ten rattles. Anxious to give it a position
most interesting to a naturalist, I put it in that which the reptile
commonly takes when on the point of striking madly with its fangs."
After describing a rough dissection which he made of the rattlesnake's
dental arsenal and poison apparatus, he added: "The heat of the weather
was such that I could devote only sixteen hours to the drawing." The
drawing thus referred to was undoubtedly used in the composition of his
celebrated plate.
To revert now to a mooted passage in Audubon's published paper:
Public-domain text, read in full here on John Shaqi.
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