August Strindberg, the Spirit of Revolt: Studies and ImpressionsLind-af-Hageby, L. (Lizzy)
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August Strindberg, the Spirit of Revolt: Studies and Impressions
Lind-af-Hageby, L. (Lizzy)
Strindberg, August, 1849-1912
Annoyances, revelations, and delusions of persecution now crowded in
upon him. Strange dreams foretold the future, commonplace objects
assumed fantastic shape. One day, when looking at the embryo of a
sprouting walnut under the microscope, he saw two little white hands
folded as if in prayer. Immovable, perfect in form, they were there,
the hands of a child or a woman, raised beseechingly towards him.
Shortly before the incident he had sinned grievously against his child.
Seized by an uncontrollable longing to be reunited to his wife, in
spite of the divorce proceedings, he had wished--with a concentrated
and occultly sharpened desire--that the child might fall ill, and
thus become a link of reunion. There were other mysteries. The coal in
his stove burned itself into grotesque shapes, works of some kind of
elemental sculptor, which were so realistic that the sparrows, feeding
on crumbs by his window, were frightened by the sight of them. His
pillow-case, crumpled by the after-dinner nap, showed him one day a
head in marble modelled on the lines of Michel-Angelo; another day a
mighty Zeus rested on his bed; one night, after a festive evening with
friends, he was received by the devil himself in correct middle-age
attire, thus competing with Blake who one day, whilst ascending the
stairs of his house, saw Satan glaring at him through a window.
From sulphur he turned to iodine as a subject of original
experimentation, and then, oblivious of Aristotle's injunctions, to
the goldmaker's art. He did not possess "the most precious stone of
the philosophers," by which base metals are changed into gold, and
he had to be unorthodox--even when practising the alchemistic art.
He therefore rejected the alchemical faith that gold alone is free
from sulphur, and commenced experiments with solutions of sulphate of
iron in support of the theory that gold contains iron and sulphur. He
succeeded in making gold--his special gold of art--but it vanished
when put to the ordinary chemical test. Signs and guidance from unseen
Powers encouraged him to persist in spite of failure. Whilst out for
a walk his eyes were riveted by the letters F and S intertwined. At
first he thought of his wife's initials, and of her faithful love, but
such a commonplace interpretation was quickly dismissed. The letters
meant _Fer_ and _Soufre_--the secret of the generation of gold was thus
laid bare before his eyes. Another time two pieces of paper lying at
the foot of a monument attracted his attention. One bore the imprint
207, the other 28. What could this be but a reminder of the atomic
weights of lead (207) and silicum (28)? Subsequent experiments in
which he extracted gold from lead and silicum confirmed the wisdom of
the exegesis made. But the spirit of gold is fickle. One day, after
repeated failures, when standing naked to the waist as a smith before
the fiercely burning furnace, he looked into the crucible, and saw a
skull with a pair of glittering eyes.
Public-domain text, read in full here on John Shaqi.
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