August Strindberg, the Spirit of Revolt: Studies and ImpressionsLind-af-Hageby, L. (Lizzy)
General
August Strindberg, the Spirit of Revolt: Studies and Impressions
Lind-af-Hageby, L. (Lizzy)
Strindberg, August, 1849-1912
vicissitudes of time, through the altered conditions of morality,
custom, and nationality. He saw the eternally human beneath the masks
of canonised and apotheosised individuals.
_Gustavus Adolphus_, Strindberg's drama of the fair hero-king of Sweden
who played an illustrious part in the Thirty Years' War, and who landed
with twenty thousand men in Pomerania in 1630 as friend and protector
of oppressed Protestants in Germany, has all the elements of a powerful
historical play. It has been severely criticised in Sweden and in
Germany. Strindberg has himself explained that the Swedes objected to
his portrait of Gustavus Adolphus because he had made him too small,
and the Germans objected because he had made the conquering hero
too great. Strindberg did not hesitate to show the blemishes on the
historical idol of Sweden: the weakness, the impetuousness, the spells
of fear, the carelessness, the moral elasticity which characterised
Gustavus Adolphus. Nor did he hesitate to show the horrors and
self-deception of war, the blackguardly deeds which are glorified
by militarism, or the petty quarrels between Catholics, Lutherans,
and Calvinists which prolonged the strife. The king is represented
as being brought--by the force of events--to see the unworthiness of
the cause which he espouses, and for which he finally dies. This was
an unpardonable offence against the sacro-sanctity of tradition, and
the fact that Strindberg's Gustavus Adolphus lost none of his heroic
qualities by being stripped of pseudo-angelic ones did not temper the
wind of the general condemnation. The famous generals of the Swedish
army, Horn, Banér, Tott, Brahe, Torstensson, Stenbock, have been shorn
of none of their glory.
In _Charles XII_ Strindberg repeats the offence committed in _Gustavus
Adolphus_. With irreverent and destructive hands Charles XII broke the
greatness of Sweden,[1] builded by Gustavus Adolphus, and Strindberg
mercilessly analyses the foolhardy mind of Charles XII, through which
his campaigns and his country were foredoomed to disaster.
Public-domain text, read in full here on John Shaqi.
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