August Strindberg, the Spirit of Revolt: Studies and ImpressionsLind-af-Hageby, L. (Lizzy)
General
August Strindberg, the Spirit of Revolt: Studies and Impressions
Lind-af-Hageby, L. (Lizzy)
Strindberg, August, 1849-1912
constructs machines, 39, 40;
as "gymnasist," 41;
becomes a pietist, 42, 43, 44, 45;
as private tutor, 46, 47, 48;
influence of literature on, 47;
becomes a freethinker, 47;
preaches a sermon, 49;
passes the "student--examen," 50;
enters the University of Upsala, 51;
criticism of academical routine, 51, 52, 53;
becomes a schoolmaster, 54;
studies social conditions, 54, 55, 103, 154, 155, 228, 229, 230;
sympathy of, with the people, 56, 64, 65;
contempt of current morals, 56, 120;
takes up the study of medicine, 59;
comes under the influence of art, 60;
decides to become an actor, 62;
makes his début at the Dramatic Theatre, 67;
tries to commit suicide, 69, 80, 129;
composes his first play, 69;
first attempts to write verse, 71;
first plays refused, 71, 72;
returns to the University, 73;
first performance of a play by, 76;
burns the MSS. of Blotsven, 80;
passes his Latin examination, 81;
presents his æsthetic thesis. 81;
performance of a Viking play by, 84;
King Charles XV sends for, 85;
as a painter, 90, 96, 103, 236, 240;
becomes a journalist, 92;
as an art critic, 95;
lack of self-confidence of, 107;
edits an insurance paper, 108;
financial crash, 109;
obtains a post as telegraph clerk, 114;
resumes journalistic work, 115;
becomes parliamentary reporter and dramatic critic, 116;
is nominated assistant librarian, 118;
class-consciousness of, 126, 127;
first marriage of, 132;
views of, on the sacredness of parenthood, 133, 134;
increasing literary activity of, 135;
first great dramatic success, 142, 143;
on the tragedy of fatherhood, 146, 175;
historical point of view of, 147, 148;
criticises poetry as a form of literary expression, 151;
leaves Sweden, 152;
is prosecuted for blasphemy, 157;
is cheered by the people in Stockholm, 162, 163, 164;
attacks of Conservative press 163;
is found "not guilty," 164;
is denounced by feminists, 165;
advocates rights of women and marriage reform, 167;
views of, on spiritual functions of motherhood, 168;
begins a series of naturalistic plays, 171;
on the educational value of the theatre, 206, 207;
views of, on theatre reform, 214, 215, 216, 217, 218;
obtains divorce from his first wife, 237;
second marriage of, 242;
becomes an alchemist, 251;
madness of, develops, 255;
persecutional mania of, becomes acute, 265;
prepares to die, 266;
fears detention in an asylum, 269;
love of, for his child, 271, 272;
is influenced by Roman Catholicism, 272, 280;
religious feeling of, 273, 279;
attitude of, towards theosophy, 274, 275;
Public-domain text, read in full here on John Shaqi.
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