Thackeray from his treasures of wit and sarcasm poured out anecdote
after anecdote; he used plenty of vinegar and cayenne pepper, but there
was always a flavour of kindliness and good-nature, even in his most
cutting remarks. I saw more of him when he came to Oxford to lecture on
the Four Georges, and when he stood for Parliament and was defeated by
Cardwell and Charles Neate. After one of his lectures, when I expressed
my delight with his brilliant success, “Wait, wait,” he said, “the time
will come when you will lecture at Oxford.” At that time my English was
still very crumbly; there was no idea of my staying on in England, still
less of my ever becoming a professor at Oxford.
Thackeray’s novels were a great delight to me then, and some have
remained so for life. Still, there is a fashion in all things, in
literature quite as much as in music, and when lately reading “The
Newcomes” I was surprised at the meagreness of the dialogue, the very
dialogues for which we felt so impatient from month to month when the
book first came out in numbers. Still one always recognises in Thackeray
the powerful artist, who, like a Japanese painter, will with a few lines
place a living man or woman before you, never to be forgotten.
I am sorry I missed seeing and knowing more of Charles Dickens. I met
him in my very early days with a friend of mine at some tavern in the
Strand, but did not see him again till quite at the end of his career,
when he was giving readings from his novels, and knew how to make his
audiences either weep or laugh. Still I am glad to have seen him in the
flesh, both as a young and as an old man. However wide apart our
interests in life might be, no one who had read his novels could look on
Dickens as a stranger. He knew the heart of man to the very core, and
could draw a picture of human suffering with a more loving hand than any
other English writer. He also possessed now and then the grand style,
and even in his pictures of still life the hand of the master can always
be perceived. He must have shed many a tear over the deathbed of poor
Joe; he must have chuckled and shouted over Mr. Winkle and Mr. Tupman
going out partridge shooting. Perhaps to our taste, as it now is, some
of his characters are too sentimental and simpering, but there are few
writers now who could create his child-wife. It always seemed to me very
strange that my friend Stanley, though he received Dickens among the
great ones of Westminster Abbey, could not, as he confessed to me, take
any pleasure in his works.
Public-domain text, read in full here on John Shaqi.
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