Auld lang syne. Second series : $b My Indian friendsMüller, F. Max (Friedrich Max)
History
Auld lang syne. Second series : $b My Indian friends
Müller, F. Max (Friedrich Max)
India; Müller, F. Max (Friedrich Max), 1823-1900 -- Friends and associates
But no literary or traditional documents which we possess, whether in
Greek or Latin or in any other Oriental language, to say nothing of
barbarous dialects, bring us so near, if not to the origin, at least to
the early historical development of any of the ancient religions of
mankind as the hymns of the Veda. If the study of single religions must
precede the study of religion in general, nowhere can we get so near to
the origin of any single religion as in the hymns of the Rig-Veda. Other
religions may be older, and religion by itself may be beyond all
conception old, but no single religion, as far as I know, has been
preserved in documents so old, and so near to the very cradle of a
religion as that which we see growing before our eyes in the Veda. Let
those who want to know the origin of religion, _a priori_, take refuge
in metaphysics; but those who care to understand the origin of one
single religion will find no better oracle to consult than the poems of
the Vedic Rishis.
The chronological date of the Vedic hymns, which has been fixed by some
at 1200, by others at 2000, nay at 4500 B.C., are, no doubt, very
uncertain, and can be no more than constructive. But though Egyptian and
Babylonian dates go far beyond any date in India, we can see more of the
real beginnings of religion in India than even in Egypt or Babylon. Nor
would anybody accept the principle laid down by students of the religion
of savages, that whatever is savage or barbarous in religion, must be
old. This is a major premiss that would play fearful havoc with our
chronology.
What is quite clear is that, between the Vedic hymns and the next
period, that of the prose Brâhma_n_as, there is a great gulf. The hymns
of the three Vedas had not only been collected, such as we have them,
but had already been invested with a divine authority, such as is seldom
ascribed to works of recent date. Besides, it is clear that the language
of the hymns had often been completely misunderstood by the authors of
the Brâhma_n_as, and that a new style had sprung up in the place of that
of the old poetical compositions. From the time of the Brâhma_n_as,
which precede the rise of Buddhism (500 B.C.), to the present day, the
old hymns of the Veda have retained their unique position in India.
Invested with the character of a divine revelation, they have been to
the people of India what the Bible has been to us.
Public-domain text, read in full here on John Shaqi.
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