OXFORD: HORACE HART PRINTER TO THE UNIVERSITY ----- Footnote 1: Chips from a German Workshop, Vol. IV, pp. 35–9. Footnote 2: Edda, Gylfaginning, 49. Footnote 3: Sigurdakwida, III, 64; Helreidh Brynhildar, 12. Footnote 4: Metrical translation by C. H. Tawney, _Indian Antiquary_, November, 1876. Footnote 5: That is, if only our mind is quieted, we shall enjoy peace in our own home as well as in a forest. _S_iva is here looked upon as the symbol of the Supreme Spirit. Footnote 6: Brâhma is the same as Brâhmo; the former Sanskrit, the latter Bengali. Thus, Debendranâth called his book on the Upanishads “Brâhma-dharma_h_,” though Brâhma also is a faulty name in Sanskrit. _Samâjes existing in India._ 1. Brâhma-Samâj, Rammohun Roy. | +-------------+-------------+ | | 2. Âdi Brâhma-Samâj, 3. Brâhma-Samâj of India, Debendranâth Tagore. Keshub Chunder Sen. 4. Sadhâra_n_a Brâhma-Samâj, Schismatic. 5. Ârya-Samâj, Dayânanda Sarasvatî. Footnote 7: Râmtonoo is probably meant for Râmatanu, body of Râma, but when a name has once become familiar in its modern Bengali form, I do not always like to put it back into its classical Sanskrit form. Footnote 8: A full account of this Saint is to be found in a book lately published by me, “Râmak_ri_sh_n_a, his Life and Sayings,” by F. M. M., 1898. Footnote 9: The Interpreter, Nov. 1898, p. 303. Footnote 10: See an excellent account of his life by Karkaria. Footnote 11: Kâme_s_var Aiyar, Sandhyâvandana, pp. 58, 105, 113. Footnote 12: Sandhyâ is derived from Sandhi, literally the joining, the coming together of day and night, or night and day. Sandhivelâ is twilight, and Sandhyâ has the same meaning. Sandhyâvandana was originally the twilight-worship, the morning and evening prayer, to which a third was added (the Mâdhyâhnika) the noon prayer, when the sun culminated. These prayers were once incumbent on every Brâhman, though they have now assumed a very perfunctory form, or are omitted altogether. Footnote 13: