Auld lang syne. Second series : $b My Indian friendsMüller, F. Max (Friedrich Max)
History
Auld lang syne. Second series : $b My Indian friends
Müller, F. Max (Friedrich Max)
India; Müller, F. Max (Friedrich Max), 1823-1900 -- Friends and associates
“Were a mansion of pearls erected and inlaid with gems for me,
Perfumed with musk, fragrant aloe, and sandal, so as to confer delight—
May it not be that on beholding it I should forget Thee and not remember
Thy name!
My soul burneth without God.
I have ascertained from my Guru that there is no other shelter than
thou, O God.
Were the earth to be studded with diamonds and rubies, and my couch to
be similarly adorned,
Were fascinating damsels, whose faces shine with jewels, to shed lustre
and diffuse pleasure,
May it not be that on beholding them, I should forget Thee, and not
remember Thy name!”
The following verses will show what was in the mind of Nânak and of his
followers, and we know from history how well their labours for
conciliation between Hindus and Mohammedans succeeded, at least for a
time, and how what seems to us impossible at present was fully achieved
by them. Rammohun Roy and Keshub Chunder Sen would gladly have joined in
the following words of the Granth:—
“Some men are Hindus and some Musalmans.
Among the latter are Rawazis, Imams, and Sufis; know that all men are
of the same caste.
The Creator and the Beneficent are the same; the Provider and the
Merciful are the same, there is no difference, let no one suppose
so even by mistake.
Worship the One God, He is the one Divine Guru after all; know that
His form is one, and that He is the one light diffused in all.
The Temple and the Mosque are the same, the Hindu worship and the
Musalman prayer are the same; all men are the same; it is through
error they appear different.
Allah and Alekh are the same, the Purâ_n_as and the Korân are the
same; they are all alike, it is the One God who created all.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account