Auld Lang Syne: Selections from the Papers of the "Pen and Pencil Club"Various
General
Auld Lang Syne: Selections from the Papers of the "Pen and Pencil Club"
Various
Literature; Poetry
and they turned their poor sightless eyes to the light, as if that were
to them the symbol of the heaven they longed to reach. It was too sad.
The singing ceased, and we all tried to speak of something else. “How
did you get that Indian picture?” I asked, looking round, and as the
words left my lips, I reproached myself for speaking to one who could not
see it, of a thing that could have no present interest to him. But I had
made no mistake, as it chanced. “Ay, my brother brought it me,” he
answered. “I know what you mean.” “It is painted on ivory, is it not?”
“Oh no! this is a picture; my sister wears the one on ivory for a brooch,
though it is rather large for that, maybe; but my brother brought them.
He was at Agra during the mutiny, and he brought a ball in his shoulder,
too, back—that’s what he brought; but I’d forgotten the picture till you
mentioned it. But will you hear the children read now? Read the history
of England, Abraham.” And Abraham read, opening the book at hazard, and
reading clearly and distinctly the death of Cœur de Lion, his forgiveness
of his enemy, and his burial in Fontevrault in token of his deep
repentance. The children all listened with pleasure till one little one,
the pet of the flock, whimpered because “Bessie” did not read; so Bessie,
whose fingers were busy with her knitting, was compelled to read,
although coming after Abraham it was rather a trying ordeal. Still the
pet had to be satisfied, and then every one went on with their straw
work, for the funds of the home are dependent on charity or the sale of
work, as friends visiting Worcester will do wisely to remember. Straw
mats, baskets, and balls were the work of the little ones, and they took
the keenest interest in the question whether I preferred blue and white
mats, or purple and white. I bought both, and shook hands all round, and
in a few minutes was retreading my way towards the broad rolling Severn.
Never did I feel how intense the joy of sight was as I did when I stood
by its silver stream, and thought of those I had just left in the little
house near the railway bridge.
THE FOOTPATH.
OUT at the doorway with shrill delight
Ringing, clear of alloy,
After a butterfly flashing so white
As it wheels and floats in the soft sunlight,
He darts, O adventurous joy!
Away! the fields are waving, the wheat
Stands proudly over the path,
The path winds onward, winning his feet
Through avenues arched and shady and sweet,—
Sweet vista that childhood hath.
But stay: the butterfly has upflown
High in the stainless blue;
Under the shadowing wheat alone,
He stands and wonders, still as a stone,
For all the world is new.
He sees each beautiful stem, blue-green,
Standing alone in its grace,
Great pendulous poppies aflame between,
And little convolvulus climbing to screen
That dim forest world from his face.
Public-domain text, read in full here on John Shaqi.
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