English poetry -- 19th century; Epic poetry, English; Novels in verse
At which that bilious Grimwald, (he who writes
For the Renovator) who had seemed absorbed
Upon the table-book of autographs,
(I dare say mentally he crunched the bones
Of all those writers, wishing them alive
To feel his tooth in earnest) turned short round
With low carnivorous laugh,—‘A flower, of course!
She neither sews nor spins,—and takes no thought
Of her garments ... falling off.’
The student flinched,
Sir Blaise, the same; then both, drawing back their chairs
As if they spied black-beetles on the floor,
Pursued their talk, without a word being thrown
To the critic.
Good Sir Blaise’s brow is high
And noticeably narrow: a strong wind,
You fancy, might unroof him suddenly,
And blow that great top attic off his head
So piled with feudal relics. You admire
His nose in profile, though you miss his chin;
But, though you miss his chin, you seldom miss
His golden cross worn innermostly, (carved
For penance, by a saintly Styrian monk
Whose flesh was too much with him,) slipping through
Some unaware unbuttoned casualty
Of the under-waistcoat. With an absent air
Sir Blaise sate fingering it and speaking low,
While I, upon the sofa, heard it all.
‘My dear young friend, if we could bear our eyes
Like blessedest St. Lucy, on a plate,
They would not trick us into choosing wives,
As doublets, by the colour. Otherwise
Our fathers chose,—and therefore, when they had hung
Their household keys about a lady’s waist,
The sense of duty gave her dignity:
She kept her bosom holy to her babes;
And, if a moralist reproved her dress,
’Twas, ‘Too much starch!’—and not, ‘Too little lawn!’'
Public-domain text, read in full here on John Shaqi.
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