English poetry -- 19th century; Epic poetry, English; Novels in verse
The next chair vacant, by his ‘men _in us_.’
Since when was genius found respectable?
It passes in its place, indeed,—which means
The seventh floor back, or else the hospital:
Revolving pistols are ingenious things,
But prudent men (Academicians are)
Scarce keep them in the cupboard, next the prunes.
And so, abandoned to a bitter mirth,
I loitered to my inn. O world, O world,
O jurists, rhymers, dreamers, what you please,
We play a weary game of hide-and-seek!
We shape a figure of our fantasy,
Call nothing something, and run after it
And lose it, lose ourselves too in the search;
Till, clash against us, comes a somebody
Who also has lost something and is lost,
Philosopher against philanthropist,
Academician against poet, man
Against woman, against the living, the dead,—
Then home, with a bad headache and worse jest!
To change the water for my heliotropes
And yellow roses. Paris has such flowers.
But England, also. ’Twas a yellow rose,
By that south window of the little house,
My cousin Romney gathered with his hand
On all my birthdays for me, save the last;
And then I shook the tree too rough, too rough,
For roses to stay after.
Now, my maps.
I must not linger here from Italy
Till the last nightingale is tired of song,
And the last fire-fly dies off in the maize.
My soul’s in haste to leap into the sun
And scorch and seethe itself to a finer mood,
Which here, in this chill north, is apt to stand
Too stiffly in former moulds.
That-face persists.
It floats up, it turns over in my mind,
As like to Marian, as one dead is like
The same alive. In very deed a face
And not a fancy, though it vanished so;
The small fair face between the darks of hair,
I used to liken, when I saw her first,
To a point of moonlit, water down a well:
The low brow, the frank space between the eyes,
Which always had the brown pathetic look
Of a dumb creature who had been beaten once,
And never since was easy with the world.
Ah, ah—now I remember perfectly
Those eyes, to-day,—how overlarge they seemed,
As if some patient passionate despair
(Like a coal dropt and forgot on tapestry,
Which slowly burns a widening circle out)
Had burnt them larger, larger. And those eyes
To-day, I do remember, saw me too,
As I saw them, with conscious lids astrain
In recognition. Now, a fantasy,
A simple shade or image of the brain,
Is merely passive, does not retro-act,
Is seen, but sees not.
’Twas a real face,
Perhaps a real Marian.
Which being so,
I ought to write to Romney, ‘Marian’s here.
Be comforted for Marian.’
My pen fell,
My hands struck sharp together, as hands do
Which hold at nothing.
Public-domain text, read in full here on John Shaqi.
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