English poetry -- 19th century; Epic poetry, English; Novels in verse
And, by degrees, when he who had chosen her,
Brought in his courteous and benignant friends
To spend their goodness on her, which she took
So very gladly, as a part of his,—
By slow degrees, it broke on her slow sense,
That she, too, in that Eden of delight
Was out of place, and, like the silly kid,
Still did most mischief where she meant most love.
A thought enough to make a woman mad,
(No beast in this, but she may well go mad)
That, saying ‘I am thine to love and use,’
May blow the plague in her protesting breath
To the very man for whom she claims to die,—
That, clinging round his neck, she pulls him down
And drowns him,—and that, lavishing her soul,
She hales perdition on him. ‘So, being mad,’
Said Marian ...
‘Ah—who stirred such thoughts, you ask?
Whose fault it was, that she should have such thoughts?
None’s fault, none’s fault. The light comes, and we see:
But if it were not truly for our eyes,
There would be nothing seen, for all the light;
And so with Marian. If she saw at last,
The sense was in her,—Lady Waldemar
Had spoken all in vain else.’
‘O my heart,
O prophet in my heart,’ I cried aloud,
‘Then Lady Waldemar spoke!’
‘_Did_ she speak,’
Mused Marian softly—‘or did she only sign?
Or did she put a word into her face
And look, and so impress you with the word?
Or leave it in the foldings of her gown,
Like rosemary smells, a movement will shake out
When no one’s conscious? who shall say, or guess?
One thing alone was certain,—from the day
The gracious lady paid a visit first,
She, Marian, saw things different,—felt distrust
Of all that sheltering roof of circumstance
Her hopes were building into with clay nests:
Her heart was restless, pacing up and down
And fluttering, like dumb creatures before storms,
Not knowing wherefore she was ill at ease.’
Public-domain text, read in full here on John Shaqi.
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