English poetry -- 19th century; Epic poetry, English; Novels in verse
And built up to eterne significance
Through the open arms of God. ‘There’s nothing great
Nor small,’ has said a poet of our day,
(Whose voice will ring beyond the curfew of eve
And not be thrown out by the matin’s bell)
And truly, I reiterate, ... nothing’s small!
No lily-muffled hum of a summer-bee,
But finds some coupling with the spinning stars;
No pebble at your foot, but proves a sphere;
No chaffinch, but implies the cherubim:
And,—glancing on my own thin, veinéd wrist,—
In such a little tremour of the blood
The whole strong clamour of a vehement soul
Doth utter itself distinct. Earth’s crammed with heaven,
And every common bush afire with God:
But only he who sees, takes off his shoes;
The rest sit round it, and pluck blackberries,
And daub their natural faces unaware
More and more, from the first similitude.
Truth, so far, in my book! a truth which draws
From all things upwards. I, Aurora, still
Have felt it hound me through the wastes of life
As Jove did Io: and, until that Hand
Shall overtake me wholly, and, on my head,
Lay down its large unfluctuating peace,
The feverish gad-fly pricks me up and down,
It must be. Art’s the witness of what Is
Behind this show. If this world’s show were all,
Then imitation would be all in Art;
There, Jove’s hand gripes us!—For we stand here, we,
If genuine artists, witnessing for God’s
Complete, consummate, undivided work:
—That not a natural flower can grow on earth,
Without a flower upon the spiritual side,
Substantial, archetypal, all a-glow
With blossoming causes,—not so far away,
That we, whose spirit-sense is somewhat cleared,
May not catch something of the bloom and breath,—
Too vaguely apprehended, though indeed
Still apprehended, consciously or not,
And still transferred to picture, music, verse,
For thrilling audient and beholding souls
By signs and touches which are known to souls,—
How known, they know not,—why, they cannot find,
So straight call out on genius, say, ‘A man
Produced this,’—when much rather they should say,
‘’Tis insight, and he saw this.’
Thus is Art
Self-magnified in magnifying a truth
Which, fully recognised, would change the world
And shift its morals. If a man could feel,
Not one day, in the artist’s ecstasy,
But every day, feast, fast, or working-day,
The spiritual significance burn through
The hieroglyphic of material shows,
Henceforward he would paint the globe with wings,
And reverence fish and fowl, the bull, the tree,
And even his very body as a man,—
Which now he counts so vile, that all the towns
Make offal of their daughters for its use
On summer-nights, when God is sad in heaven
To think what goes on in his recreant world
He made quite other; while that moon He made
Public-domain text, read in full here on John Shaqi.
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