English poetry -- 19th century; Epic poetry, English; Novels in verse
I’ve known the pregnant thinkers of this time,
And stood by breathless, hanging on their lips,
When some chromatic sequence of fine thought
In learned modulation phrased itself
To an unconjectured harmony of truth.
And yet I’ve been more moved, more raised, I say,
By a simple word ... a broken easy thing,
A three-years infant might say after you,—
A look, a sigh, a touch upon the palm,
Which meant less than ‘I love you’ ... than by all
The full-voiced rhetoric of those master-mouths.
‘Ah dear Aurora,’ he began at last,
His pale lips fumbling for a sort of smile,
‘Your printer’s devils have not spoilt your heart:
That’s well. And who knows but, long years ago,
When you and I talked, you were somewhat right
In being so peevish with me? You, at least,
Have ruined no one through your dreams! Instead,
You’ve helped the facile youth to live youth’s day
With innocent distraction, still perhaps
Suggestive of things better than your rhymes.
The little shepherd-maiden, eight years old,
I’ve seen upon the mountains of Vaucluse,
Asleep i’ the sun, her head upon her knees,
The flocks all scattered,—is more laudable
Than any sheep-dog trained imperfectly,
Who bites the kids through too much zeal.’
‘I look
As if I had slept, then?’
He was touched at once
By something in my face. Indeed ’twas sure
That he and I,—despite a year or two
Of younger life on my side, and on his,
The heaping of the years’ work on the days,—
The three-hour speeches from the member’s seat,
The hot committees, in and out the House,
The pamphlets, ‘Arguments,’ ‘Collective Views,’
Tossed out as straw before sick houses, just
To show one’s sick and so be trod to dirt,
And no more use,—through this world’s underground
The burrowing, groping effort, whence the arm
And heart come bleeding,—sure, that he and I
Were, after all, unequally fatigued!
That he, in his developed manhood, stood
A little sunburnt by the glare of life;
While I ... it seemed no sun had shone on me,
So many seasons I had forgot my Springs;
My cheeks had pined and perished from their orbs,
And all the youth-blood in them had grown white
As dew on autumn cyclamens: alone
My eyes and forehead answered for my face.
He said ... ‘Aurora, you are changed—are ill!’
‘Not so, my cousin,—only not asleep!’
I answered, smiling gently. ‘Let it be.
You scarcely found the poet of Vaucluse
As drowsy as the shepherds. What is art,
But life upon the larger scale, the higher,
When, graduating up in a spiral line
Of still expanding and ascending gyres,
It pushes toward the intense significance
Of all things, hungry for the Infinite?
Art’s life,—and where we live, we suffer and toil.’
Public-domain text, read in full here on John Shaqi.
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