Tolerant, not from any vagueness of judgment; easy to get on with, but
not to drive or to deceive, he looked strikingly the good fellow, yet
kept you in respect. An air of capability, a consciousness of definite
achievements, went coupled in him with the humor that would prevent
bumptiousness however great the matter for pride. A quiet carelessness
of other people's opinions formed part of his effect of poise; the
opinions of dukes would have affected him as little as those of
rag-pickers, unless they recommended themselves to that judicial spot in
his brain at which he tried them. He was level-headed, unsentimental,
but kind, of a kindness that like good-humor seemed almost physical, and
made him stop to stroke the kitchen cat as well as see to it that the
negress's baby had the right milk for its orphaned stomach.
He looked at Aurora with smiling scrutiny, and facially expressed a vast
appreciation. She looked back at him with eyes of laughing tenderness.
Avoiding to speak directly to her the compliments rising in his mind, he
turned to Estelle.
"Hasn't she blossomed out!"
"Isn't she wonderful?" chimed in that friend, enthusiastically.
Aurora, with a comedy of pride, threw up her chin, lifted her arms, and
turned as if on a pivot, to show herself off in her elegance. She had on
the wine-colored street-dress bordered with black fox; over its white
satin waistcoat embroidered with gold hung in a splendid loop her pink
corals. The restraining Paris corset gave to her luxuriant form a
charming modish correctness of line.
"Oh, Tom,"--she sank happily on the sofa beside him,--"we're having the
time of our lives! Just wait till you see me in company, and hear me put
on my good English, when, instead of calling things lovely or horrid, I
call them amusing or beastly or impossible. But your turn first. Give us
the Denver news."
* * * * *
After dinner that evening, in the midst of Italo's brilliant
performance, a caller came,--a thin, oldish, English-speaking lady whose
black dress made no pretense of following the fashion.
Aurora had met her at Mrs. Satterlee's during a meeting appointed to
raise funds for the Protestant orphanage. When this philanthropist,
after a little talk of other things, mentioned the relict of a mason,
left with five young children, Estelle and Dr. Bewick took it as a hint
to withdraw beyond earshot. The two ladies were left talking in
undertones; after a minute they found themselves alone in the room.
Public-domain text, read in full here on John Shaqi.
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