"Estelle says we must go away somewhere for the summer, because it's
awfully hot down here in Florence, we're told. We're thinking of taking
some sort of place at the seashore for the bathing season. You'll be
coming down to visit us, won't you? Then by and by, when I've had pretty
near enough of the kind of life I'm leading, tell you what I'm thinking
I'll do. Give up the house I've got and take another, different, and fit
it up for a children's hospital, a small one, of course, to be within my
means, and run it myself, and do what I can of the nursing. I've been
thinking of it for some time as a good thing to do instead of spending
my money and nothing to show for it. It would be something to do for the
sake of little Dan, to make it so it wouldn't be the same as if he never
had passed through the world. Then I shall have my work just as you have
yours, Gerald. And so we'll live on, each so interested in all the other
does. And you'll come to see me, and I'll go to see you--chaperoned, if
you insist, though I understand a studio can be visited without
impropriety, and--"
"You can leave me out of your plans for the future. I am going away to
forget you."
"Oh, no, you're not. You're coming to see me to-morrow. Five o'clock at
the very latest, hear?"
"I'm afraid you will have to excuse me."
"You wouldn't break my heart like that for anything, Gerald Fane! You
wouldn't let the foolish doings of this day destroy all the months have
built up! You're not so mean. When I tell you it'll be all right and
just as it was before--"
But he stubbornly would not agree, and they quarreled, as so often, half
in play, half in real exasperation, each calling the other selfish.
But at her door, when he took her hands to thank her for the day she had
given him, he dropped quite naturally, "Until to-morrow, then," and she
entered her great white hall with a happy, shining face.
* * * * *
In the half-light of the solitary hall-lamp the white-and-gold door
between the curving halves of the stairway stood open on to the
blackness of the unlighted ball-room. At the threshold appeared Estelle,
and stood with folded arms until the servant who answered the bell had
been heard retreating down the back stairs. She came forward with a
tired, troubled, pallid, and severe face.
"Well, I'm glad you've got back!" she said, as much as to say that she
had given up looking for her. And as Aurora unexpectedly cast
mischievous, muscular arms around her and tried to squeeze the breath
out of her, she gasped amid spasms of resistance: "Stop! Don't try to
pacify me! I'm in no mood for fooling! I'm as cross with you as I can
be!"
"You little slate-pencil! You little lemon-drop, you!" said Aurora,
squeezing harder, then suddenly letting go.
"I'm in no mood to be funny, you--you county-fair prize punkin! I've
been worried half to death. Where've you been so long, 'way into the
night, long past eleven o'clock?"
Public-domain text, read in full here on John Shaqi.
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