Australian Pictures, Drawn with Pen and PencilWilloughby, Howard
History
Australian Pictures, Drawn with Pen and Pencil
Willoughby, Howard
Australia -- Description and travel; Natural history -- Australia
'Our next finger, The Great West, is a mighty one in every sense, 574
miles in length, and crossing in that length a fair section of the whole
colony, and enclosing in the triangle of which it forms the northern
side, with the Southern and South-Western line and Murrumbidgee river
opposite, and the Darling for base, the wildest mountains, the richest
agricultural acres, and the broadest pastures of the colony. By
Paramatta, Castle Hill, and Toongabbie, the earliest agricultural
settlements the colony knew, which, however, seem rather to have reached
senility than perfect development, the North-Western line strikes out
for the rampart of the famous Blue Mountains--now one of the show-places
of Australia. Very soon the traveller perceives the great barrier
stretched right across the plain. Behind the dark green trees of the
middle distance it looms as the wall of some forbidden land. And nearer
the deep blue river at its feet looks like a moat specially made for
purposes of defence. Long indeed was the barrier effective, before the
strong right arm of civilization put down the stone pillars and carried
over the platform of the railway-bridge across which the train thunders
now, the great engines puffing and snorting, their force conserved for
the present, but ready to be expended by-and-by in the charge up the
mountain.
[Illustration: THE VALLEY OF THE GROSE.]
'The upward view from that bridge should never be missed. It is a long
glassy sheet of water, coming from the bold and densely timbered gate of
the hilly shore miles away, and flowing down to the bridge, past the
sleepy old town, between grassy banks or drooping willows, or groves of
whispering oaks. There is no perceptible current, the water-lilies sleep
on the surface, and if a boat be pulling upwards the ripples of the
water break gently on either bank. You may note so much in the rapid
transit of the train, which ten minutes after its departure from Penrith
station is fairly at the feet of the mountains. There are little knolls
there, lightly grassed and gracefully timbered, looking down upon
"Long fields of barley and of rye."
Very soon we pass these fields; we are rising fast. The plains sink and
extend beneath us. The white stones of the little grave-garden at Emu
Plains glisten beside the tall black cypress trees, the river shines
like a band of steel, and the reflection of the willows and oaks are
faintly seen.'
Public-domain text, read in full here on John Shaqi.
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