Australian Pictures, Drawn with Pen and PencilWilloughby, Howard
History
Australian Pictures, Drawn with Pen and Pencil
Willoughby, Howard
Australia -- Description and travel; Natural history -- Australia
[Illustration: REAPING IN SOUTH ADELAIDE.]
Of the show places of South Australia none are more interesting than the
curious caves of the Mosquito Plains. They have been described at length
by the naturalist Tennison Woods, in his _Geological Observations of
South Australia_: 'In the midst of a sandy, swampy country, a series of
caves is found, whose internal beauty is at strange variance with the
wildness of the scenery around. The entrance is merely a round hole on
the top of a hill, which leads to a small sloping path under a shelf of
rock. Descending this for about twenty-five feet, one gets a first
glimpse of the magnificence enshrined below. The observer finds himself
at the entrance of a large oblong square chamber, low, but perfectly
lighted by an aperture at the opposite end; and all around, above and
below, the eye is bewildered by a profusion of ornaments and decorations
of Nature's own devising. It resembles an immense Gothic cathedral, and
the numbers of half-finished stalagmites, which rise from the ground
like kneeling or prostrate forms, seem worshippers in that silent and
solemn place. At the farther end is an immense stalactite, which appears
like a support to the whole roof; not the least beautiful part of it
being that it is tinted by almost every variety of colour, one side
being of a delicate azure, with passages of blue, green, and pink
intermingled; and again it is snowy white, finally merging into a golden
yellow. The second cave or chamber is so thickly studded with
stalactites that it seems like a carefully arranged scene, which, from
the interminable variety of form and magic effect of light and shade,
might easily be taken to represent some fairy palace. Very soon the
cavern becomes as dark as night, and further exploration to the numerous
chambers and fissures beyond has to be made by the assistance of
torches. On leaving the last chamber, we return to the light; a narrow
passage, richly wreathed with limestone, is observed on the right hand
going out. Proceeding a little way down, a large vaulted chamber is
reached, so perfectly dark and obscure that even torches can do but
faint justice to its beauty. Here, above all other portions of the
caves, has Nature been prodigal of the fantastic ornament with which the
whole place abounds. There are pillars so finely formed, and covered
with such delicate trellis-work, there are droppings of lime making such
scroll-work, that the eye is bewildered with the extent and variety of
the adornment. It is like a palace of ice with frozen cascades and
fountains all round.'
Public-domain text, read in full here on John Shaqi.
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