Authors and their public in ancient times : $b a sketch of literary conditions and of the relations with the public of literary producers, from the earliest times to the fall of the Roman EmpirePutnam, George Haven
History
Authors and their public in ancient times : $b a sketch of literary conditions and of the relations with the public of literary producers, from the earliest times to the fall of the Roman Empire
Putnam, George Haven
Authors and readers -- History; Authorship -- History; Books -- History -- To 400; Literature, Ancient -- Appreciation; Literature, Ancient -- Criticism, Textual; Literature, Ancient -- Manuscripts
The risks of errors in the transcription must certainly have been
materially increased if in the larger publishing establishments the
practice was followed of writing from dictation, one “reader” supplying
simultaneous “copy” to a number of scribes. It seems probable that in
no other way would it have been practicable to produce with sufficient
speed and economy the editions required, and I find myself in accord
with Birt in the conclusion that dictating was the method generally
followed, at least in the more important establishments and for the
larger editions. The scribes must of necessity have had a scholarly
training, and ought also to have possessed some familiarity with the
texts to which they were listening; while with the most skilful and
scholarly scribes a careful revision of their copies would have been
essential.
Haenny is of opinion that dictation was rarely if ever employed. He
lays stress on the fact that the term employed by Cicero in referring
to the multiplication of copies was _describere_, and he contends that
this stands simply for copying and cannot be translated as writing from
dictation.[210]
One indication of the size of the editions prepared of new books
is given in the many references to the various uses found for the
“remainders” or unsold copies. The most frequent fate of unsuccessful
poetry was for the wrapping of fish and groceries, while large supplies
of surplus stock found their way from the booksellers to the fires
of the public baths.[211] Cooks also were large buyers of remainders
of editions. An author who was voluminous and who had not been able
to secure a publisher, might even, as the wags suggested, find it
convenient to be burned upon a pile of his own manuscripts. It is
evident that in these earlier days of publishing it was no easier than
at present for authors or publishers to calculate with accuracy the
extent of the public interest in their productions, while it is also
probable that then as now an author would rather pay for the making of
an abundant supply than incur the dreadful risk of not having enough
copies to meet the immediate demand.
While the Augustan age witnessed a decided development in the literary
interests of the Roman community, and while the organization of
such bookselling establishments as those of Atticus, Tryphon, and
the Sosii gave to authors the needed machinery for bringing their
writings before the public, it is probable that for the larger number
of the writers of the time the receipts from the books were very
inconsiderable.
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