Authors and their public in ancient times : $b a sketch of literary conditions and of the relations with the public of literary producers, from the earliest times to the fall of the Roman EmpirePutnam, George Haven
History
Authors and their public in ancient times : $b a sketch of literary conditions and of the relations with the public of literary producers, from the earliest times to the fall of the Roman Empire
Putnam, George Haven
Authors and readers -- History; Authorship -- History; Books -- History -- To 400; Literature, Ancient -- Appreciation; Literature, Ancient -- Criticism, Textual; Literature, Ancient -- Manuscripts
Among the grammarians who rendered important service in the editing
of the older classics was Callimachus, whose name also appears in the
list of poets. This is the same Callimachus whose report concerning the
number of the books contained in the library is quoted by Tzetzes. Very
few of the other names of the Alexandrian editors have been preserved,
their editions having in most cases been modestly sent forth with the
names of the authors only.
The publishers of Alexandria must also have been modest, for not
a single firm has sent its name down to posterity. There are many
references in later literature to the existence in Alexandria of great
book-producing concerns, and, as Birt remarks, an active production
of literature must have necessitated an effective machinery for the
distribution of literature.
Strabo speaks of the excellent organization of the book scribes of
Alexandria, and states that Roman methods of bookmaking were derived
from Alexandria. The fact that for a number of centuries the entire
supply of the most important of the materials required was derived from
Egypt, gave an enormous advantage to the development of publishers
in Alexandria. Even after the perfection of the methods for the
preparation of parchment, papyrus retained its place in the preference
of writers, Greek and Roman, and until about the fourth century A.D.
the use of parchment continued very inconsiderable. But the papyrus was
produced only in Egypt. It was therefore a serious blow at the literary
undertakings of the kings of Pergamum when Philadelphus, in pursuance
of his policy of concentrating in Alexandria the production of
literature, prohibited for some years the export from Egypt of papyrus.
It was this embargo that gave a temporary stimulus in Pergamum to the
production of dressed skins, and the special interest taken by Pergamum
in this industry caused the most carefully finished of the skins (very
different in their appearance from the old time διφθέραι) to bear the
name of parchment, _pergamentum_. With the removal of the embargo,
however, the writers in Asia Minor appear in the main to have speedily
gone back to the use of the more convenient papyrus; the production of
parchment languished, and when in the latter Empire, parchment again
came into vogue, as its manufacture could as well be carried on in many
other places, it did not remain an important product of Pergamum.
Public-domain text, read in full here on John Shaqi.
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