Authors at home: Personal and biographical sketches of well-known American writers
General
Authors at home: Personal and biographical sketches of well-known American writers
Authors, American -- Homes and haunts -- United States; Literary landmarks -- United States; United States -- Intellectual life
Mr. Mitchell is eminently an “author at home.” There are many of
our popular writers--both citizens and country dwellers--whose
environment is a matter of comparative indifference to their readers.
But the farmer of Edgewood has taken the public so pleasantly into
his confidence, has welcomed them so cordially to his garden, his
orchard and his very hearthstone, that--in a literary sense--we
are all his guests and inmates. In the consulship of Plancus--as
Thackeray would say--we Freshmen, after our pilgrimage to that shrine
of liberty, the Judges’ Cave on West Rock, with its kakographic
inscription,--“Oposition [_sic_] to tyrants is obedience to God,”--used
to turn our steps southward to burn our youthful incense upon the
shrine of literature, and see whether the burs had begun to open on the
big chestnut trees that fringed Ik Marvel’s domain. In those days the
easiest approach was through the little village of Westville, which
nestles at the foot of the rock and seems, from a distance, to lay its
church-spire, like a white finger, against the purple face of the
cliff. The rustic gate at the northern corner of Edgewood, whence a
carriage road led to the ridge behind the house, stood then invitingly
open, and a printed notice informed the wayfarer that the grounds were
free to the public on Wednesday and Saturday afternoons.
Now, as then, the reveries and dreams of Mr. Mitchell’s early books
continue to charm the fireside musings of many a college dreamer; and
successive generations of Freshmen still find their footsteps tending,
in the golden autumn afternoons of first term, toward the Edgewood
gates. But nowadays the pilgrim may take the Chapel Street horse-car at
the college fence, and after a ten minutes’ ride, dismounting at the
terminus of the line and walking a block to westward, he finds himself
at the brink of what our geologists call “the New Haven terrace.”
Thence the road descends into the water meadows, and, crossing on a new
iron bridge the brackish sluice known as West River, leads straight on
across a gravelly level, till it strikes, at a right angle, the foot of
the Woodbridge hills and the Old Codrington Road (now Forest Street).
On this road lies Edgewood, sloping to the east and south, lifted upon
a shelf of land above the river plain, while behind it the hill rises
steeply to the height of some hundred feet, and shuts off the west
with the border of overhanging woods which gives the place its name.
Public-domain text, read in full here on John Shaqi.
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