Authors at home: Personal and biographical sketches of well-known American writers
General
Authors at home: Personal and biographical sketches of well-known American writers
Authors, American -- Homes and haunts -- United States; Literary landmarks -- United States; United States -- Intellectual life
evidently loves the latter best, and works there every day before
breakfast in the cool hours of the morning.
Edgewood has been identified with its present owner for a generation.
He was not always a farmer; but farming was his early passion, and
after several years of writing and wandering, he settled down here in
1855 and returned to his first love. On leaving college he went to
work on his grandfather’s farm near Norwich. He gained at this time
the prize of a silver cup from the New York Agricultural Society, for
plans of farm buildings. He became a correspondent of _The Albany
Cultivator_ (now _The Country Gentleman_), contributing letters from
Europe during his first visit abroad, in 1844-6. This was undertaken in
search of health. He was threatened with consumption, and winter found
him at Torquay in the south of England, suffering from a distressing
and persistent cough. From this he was relieved after a violent fit of
sea-sickness, while crossing the Channel to the island of Jersey, where
he spent half a winter. Another half-winter was passed in tramping
about England, and eighteen months on the continent. These experiences
of foreign travel furnished the material for his first book, “Fresh
Gleanings” (1847). After his return to this country he studied law in
New York, but the confinement was injurious to his health, and in 1848
he went abroad a second time, traveling in England and Switzerland and
residing for a while in Paris. France was on the eve of a revolution,
and Mr. Mitchell’s impressions of the time were recorded in his
second book, “The Battle Summer” (1850). Again returning to America,
he took up his residence in New York, and issued in weekly numbers
“The Lorgnette; or, Studies of the Town, by an Opera-Goer.” This was
a series of satirical sketches, something after the plan of Irving’s
“Salmagundi” papers. They were signed by an assumed name, and even the
publisher was not in the secret of their authorship. The intermediary
in the business was William Henry Huntington, who lately died in Paris,
and who was known for many years to all Americans sojourning in the
French capital as an accomplished gentleman and man of letters. The
“Lorgnette” provoked much comment, and among Mr. Mitchell’s collection
of letters are many from his publisher, detailing the guesses of
eminent persons who called at his shop to ascertain the authorship.
Public-domain text, read in full here on John Shaqi.
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