Authors at home: Personal and biographical sketches of well-known American writers
General
Authors at home: Personal and biographical sketches of well-known American writers
Authors, American -- Homes and haunts -- United States; Literary landmarks -- United States; United States -- Intellectual life
Here, in the proper season, the flames of a cheerful fire dance upon
the brass andirons of the open hearth, in the centre of a wall lined
with books; water-colors by Harry Fenn and Lucy Larcom and Celia
Thaxter, together with interesting prints, hang on the other walls,
rivaled, it may be, by the window that looks down a sunny little
orchard, and by the glass-topped door through which you see the green
dome of Powow Hill. What worthies have been entertained in this
enticing place! Garrison, and Phillips, and Higginson, and Wasson, and
Emerson, and Fields, and Bayard Taylor, and Alice and Phœbe Cary, and
Gail Hamilton, and Anna Dickinson, are only a few of the names that
one first remembers, to say nothing of countless sweet souls, unknown
to any other roll of fame than heaven’s, who have found the atmosphere
there kindred to their own.
The people of Amesbury, and of the adjoining villages and towns, felt
a peculiar ownership of their poet; there is scarcely a legend of
all the region round which he has not woven into his song, and the
neighborhood feel not only as if Whittier were their poet, but in some
way the guardian spirit, the genius of the place. Perhaps in his stern
and sweet life he has been so, even as much as in his song. “There is
no charge to Mr. Whittier,” once said a shopman of whom he had made a
small purchase; and there is no doubt that the example would have been
contagious if the independent spirit of the poet would have allowed it.
The Indian summer days of the poet’s life were spent not all in the
places that knew him of old. The greater part of the winter was passed
in Boston; a share of the summer always went to the White Hills, of
which he was passionately fond, and the remainder of the time found
him in the house of his cousins at Oak Knoll, in Danvers, still in
his native county of Essex. This is a mansion, with its porches and
porticoes and surrounding lawns and groves, which seems meet for a
poet’s home; it stands in spacious and secluded grounds, shadowed by
mighty oaks, and with that woodland character which birds and squirrels
and rabbits, darting in the checkered sunshine, must always give. It is
the home of culture and refinement, too, and as full of beauty within
as without. Here many of the later poems were sent forth, and here
fledglings had the unwarrantable impertinence to intrude with their
callow manuscripts, and here those pests of prominence, the autograph
seekers, sent their requests by the thousands. But in the early fall
the poet stole quietly back to Amesbury, and there awaited Election
Day, a day on which he religiously believed that no man has a right to
avoid his duty, and of which he always thought as when he saw
Along the street
The shadows meet
Of Destiny, whose hand conceals
The moulds of fate
That shape the State,
And make or mar the common weal.
Public-domain text, read in full here on John Shaqi.
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