Authors at home: Personal and biographical sketches of well-known American writers
General
Authors at home: Personal and biographical sketches of well-known American writers
Authors, American -- Homes and haunts -- United States; Literary landmarks -- United States; United States -- Intellectual life
Mrs. Deland lives all over her house, the different rooms on the first
and second floors being in constant use, and equally familiar to her
friends. If she has installed herself in the sunny library overhead, or
in the salon opening off of it, you will as likely as not be summoned
to join her in one or the other of these pleasant rooms, and will find
the same simple yet luxurious appointments--the cheery open fires, the
profusion of flowers, the tasteful and harmonious decorations--evenly
distributed throughout the entire house. Books are stored away in every
conceivable receptacle, Mr. Deland’s taste in this matter, as indeed in
most others, being as fully represented as that of his wife. One even
runs across a set of book-shelves fitted into the wall at the head of
the staircase, where the old-fashioned niche once held its place. But
although they are found to exist in such quantities, neither books nor
periodicals are allowed to become an annoyance by being left about
to crowd out other things and to collect dust. The exquisite neatness
and order that prevail speak volumes for the refinement and managerial
capacity of the mistress of the house. An authoress is supposedly the
least practical of persons; and yet in this one instance an exception
must be noted, for there are countless signs that the hand at the helm
is both experienced and sure.
Mrs. Deland is of Scottish ancestry on her father’s side of the family,
and, as a lineal descendant of John of Gaunt, may be said to have
sprung from the house of Lancaster. There is about her something of the
freedom and indomitable strength of the Highlands--a look in the clear
blue eye, a warmth of coloring, a cut of features, and, above all,
a certain unruly assertiveness of stray locks of hair--that awakens
memories of the heather and of the wind upon the hills, coming heavily
laden with the odor of peat and fresh from its contact with some
neighboring loch. And, again, there are moments when other and quite
different pictures suggest themselves, as the outcome of a still more
subtle relation to the fragrant treasures of her garden--the delicate
mignonette, the open-hearted June rose--with just a touch of passion
in its veins to make it kin with all the world--and the sensitive
convolvulus, lifting its face heavenward to greet the light, but
robbed of aspirations when the shadows settle into gloom.
Public-domain text, read in full here on John Shaqi.
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