Authors at home: Personal and biographical sketches of well-known American writers
General
Authors at home: Personal and biographical sketches of well-known American writers
Authors, American -- Homes and haunts -- United States; Literary landmarks -- United States; United States -- Intellectual life
he had not already found in Boston, since he seems to have found
everything there.
So there is no need of knowing how or where Dr. Holmes lived, or what
books he read, to understand and enjoy his work. But all the same,
one likes to know where he lived, from a warm, affectionate, personal
interest in the man; just as we like to know of our dearest friends,
not only that they dwell in a certain town, but that their parlor is
furnished in red, and that the piano stands opposite the sofa. Of his
earliest home, at Cambridge, he has himself told us in words which we
certainly will not try to improve upon. Later came the home of his
early married life in Montgomery Place, of which he has said: “When he
entered that door, two shadows glided over the threshold; five lingered
in the doorway when he passed through it for the last time, and one of
the shadows was claimed by its owner to be longer than his own.” A few
brief, half-mystical allusions such as this are all that we gain from
his writings about his personal surroundings, as a few simple allusions
to certain streets and buildings are all that localize the “Autocrat”
as a Bostonian. For the man who has almost exceptionally looked into
his own heart to write has found in his heart, as he has in his city,
never what was personal or special, always what was human and universal.
But it will be no betrayal of trust for us to follow out the dim
outline a little, and tell how the five shadows flitted together from
Montgomery Place to Charles Street. Then, after another dozen years,
still another change seemed desirable. Dr. Holmes felt as few men do
the charm of association, and the sacredness of what is endeared by
age; but the very roundness of his nature which made him appreciate
not only what is human, but everything that is human, made him keenly
alive to the charm of what is new if it is beautiful. A rounded nature
finds it hard to be consistent. He wrote once: “It is a great happiness
to have been born in an old house haunted by recollections,” and he
asserted more than once the dignity of having, not only ancestors, but
ancestral homes; yet if we were to have reminded him of this in his
beautiful new house with all the latest luxuries and improvements, we
can imagine the kindly smile with which he would have gazed round the
great, beautiful room, with its solid woods and plate-glass windows,
and said gently: “I know I ought to like the other, and I do, but
how can I help liking this, too?” Yes, the charming new architecture
and the lovely new houses were too much for them; they would flit
again--though with a sigh. Not out of New England--no, indeed! not away
from Boston--certainly not. Hardly, indeed, out of Charles Street; for
although a “very plain brown-stone front would do,” provided its back
windows looked upon the river, the river they must have.
Public-domain text, read in full here on John Shaqi.
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