Authors at home: Personal and biographical sketches of well-known American writers
General
Authors at home: Personal and biographical sketches of well-known American writers
Authors, American -- Homes and haunts -- United States; Literary landmarks -- United States; United States -- Intellectual life
In December, 1878, he returned to Philadelphia, where he established
himself in large and pleasant rooms in Broad Street, not knowing
how long he might stay in America, and unwilling, because of this
uncertainty, to settle down in his own house. He lived there, however,
for four years and a half, travelling but little save in the summer,
when, to escape from the burning brick-oven which Philadelphia becomes
at that season, he fled to Rye Beach or to the White Mountains, to
Mount Desert or to far Campobello, in New Brunswick, where, in the
tents almost hidden by the sweet pine woods, he listened to the
Algonkin legends which he published in book form three or four years
ago. The house in which he made his home for the time being is a large
red brick mansion on the left side of Broad Street, between Locust
and Walnut streets. His apartments were on the ground floor, and the
table at which he worked, writing his Indian book or making the designs
for the series of art manuals he was then editing, was drawn close to
one of the windows looking out upon the street. There, between the
hours of nine and one in the morning, he was usually to be found. From
the street one could in passing catch a glimpse of the fine strong
head which so many artists have cared to draw, and which Le Gros has
etched; of the long gray beard, and of the brown velveteen coat--not
that famous coat to which Mr. Leland bade so tender a farewell in his
gypsy book, but another, already endeared to him by many a lively
recollection of gypsy camps and country fairs. Here there was little
quiet to be had. Broad Street is at all times noisy, and it is moreover
the favorite route for all the processions, military or political,
by torchlight or by daylight, that ever rejoice the hearts of
Philadelphia’s children. It is a haunt, too, of pitiless organ-grinders
and importunate beggars. Well I remember the wretched woman who set
up her stand, and her tuneless organ, but a few steps beyond Mr.
Leland’s window, grinding away there day after day, indifferent to
expostulations and threats, until at last the civil authorities had
to be appealed to. For how much unwritten humor, for how many undrawn
designs, she is responsible, who can say? But then, on the other hand,
the window had its advantages. Stray gypsies could not pass unseen, and
from it friendly tinkers could be easily summoned within. But for this
post of observation I doubt if Owen Macdonald, the tinker, would have
paid so many visits to Mr. Leland’s rooms, and hence if he would have
proved so valuable an assistant in the preparation of the dictionary
of _shelta_, or tinker’s talk, a Celtic language lately discovered by
Mr. Leland. “Pat” (or Owen) was a genuine tinker, and “no tinker was
ever yet astonished at anything.” He never made remarks about the room
into which he was invited, but I often wondered what he thought of it,
with its piles of books and drawings and papers, and its walls covered
Public-domain text, read in full here on John Shaqi.
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