Helen then warns Menelaus of her difficult position. She is wooed by
Theoclymenus, king of the land, brother of Theonoe. Menelaus in despair
thinks of killing himself and Helen to escape the tyrant. Theonoe holds
their fate in her hands; Helen pleads with her; "It is shameful that
thou shouldest know things divine, and not righteousness." Menelaus
declares his intention of living and dying with his wife. The prophetess
leaves them to discover some means of escape which Helen devises.
Pretending that Menelaus is a messenger bringing news of her husband's
death at sea, she persuades the tyrant to provide a ship and rowers that
Helen may perform the last rites to the dead on the element where he
died. At the right moment the Greek sailors overpowered the rowers and
sailed home with the united pair.
Very commonly real drama suffers the fate which has overtaken it in this
piece; it declines into melodrama. Here are to be found all the stock
melodramatic features--a bold hero, a scheming beauty, a confidante, a
dupe, the murder of a ship's crew. Massinger piloted Elizabethan drama
to a similar end. Given an uncritical audience melodrama is the surest
means of filling the house. Reality matters little in such work; the
facts of life are like Helen's wraith, when they become unmanageable
they vanish into thin air.
About 412 the _Iphigeneia in Tauris_ appeared. South Russia was the seat
of a cult of Artemis; the goddess spirited Iphigeneia to the place when
her father sacrificed her at Aulis. Orestes, bidden by Apollo to steal
an image of the goddess to get his final purification, comes on the
stage with Pylades; on seeing the temple they are convinced of the
impossibility of burgling it. A shepherd describes to Iphigeneia their
capture, for strangers were taken and offered to the goddess without
exception. One of the two was seized with a vision of the avenging
deities; attacked by a band of peasants both were overpowered after
a stubborn resistance. Formerly Iphigeneia had pitied the Greeks who
landed there; now, warned of Orestes' death by a dream, she determines
to kill without mercy. One of them shall die, the other taking back to
Greece a letter. Orestes insists on dying himself, reminding Pylades of
his duty to Electra. When the letter is brought Pylades swears to fulfil
his word, but asks what is to happen if the ship is wrecked. Iphigeneia
reads the letter to him; it is addressed to Orestes and tells of his
sister's weary exile. After the recognition is completed, Orestes
relates the horrors of his life and begs his sister to help him to steal
the all-important image.
Public-domain text, read in full here on John Shaqi.
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