Authors, English -- 19th century -- Biography; De Quincey, Thomas, 1785-1859
arising in some way (not very clearly made out) to trouble the repose
of his home, he leaves it in horror, and rushes in the gray dawn to
the seaside rocks; seated on which, he draws a sort of consolation for
his terrors, or of sympathy with his wounded heart, from that mimicry
of life which goes on forever amongst the raving waves.
From the Gallapagos, Pink went often to Juan (or, as he chose to call
it, after Dampier and others, _John_) Fernandez. Very lately, (December,
1837,) the newspapers of America informed us, and the story was current
for full nine days, that this fair island had been swallowed up by an
earthquake; or, at least, that in some way or other it had disappeared.
Had that story proved true, one pleasant bower would have perished,
raised by Pink as a memorial expression of his youthful feelings either
towards De Foe, or his visionary creature, Robinson Crusoe--but rather,
perhaps, towards the substantial Alexander Selkirk; for it was raised
on some spot known or reputed by tradition to have been one of those
most occupied as a home by Selkirk. I say, "rather towards Alexander
Selkirk;" for there is a difficulty to the judgment in associating
Robinson Crusoe with this lovely island of the Pacific, and a difficulty
even to the fancy. _Why_, it is hard to guess, or through what perverse
contradiction to the facts, De Foe chose to place the shipwreck of
Robinson Crusoe upon the _eastern_ side of the American continent.
Now, not only was this in direct opposition to the realities of the
case upon which he built, as first reported (I believe) by Woodes
Rogers, from the log book of the Duke and Duchess,--(a privateer fitted
out, to the best of my remembrance, by the Bristol merchants, two or
three years before the peace of Utrecht,) and so far the mind of any
man acquainted with these circumstances was staggered, in attempting
to associate this eastern wreck of Crusoe with this western island,--but
a worse obstacle than that, because a moral one, is this, that, by
thus perversely transferring the scene from the Pacific to the Atlantic,
De Foe has transferred it from a quiet and sequestered to a populous
and troubled sea,--the Fleet Street or Cheapside of the navigating
world, the great throughfare of nations,--and thus has prejudiced the
moral sense and the fancy against his fiction still more inevitably
than his judgment, and in a way that was perfectly needless; for the
change brought along with it no shadow of compensation.
Public-domain text, read in full here on John Shaqi.
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