I have mentioned already that we had four male guardians, (a fifth being my mother.) These four were B., E., G., and H. The two consonants, B. and G., gave us little trouble. G., the wisest of the whole band, lived at a distance of more than one hundred miles: him, therefore, we rarely saw; but B., living within four miles of Greenbay, washed his hands of us by inviting us, every now and then, to spend a few days at his house. At this house, which stood in the country, there was a family of amiable children, who were more skilfully trained in their musical studies than at that day was usual. They sang the old English glees and madrigals, and correctly enough for me, who, having, even at that childish age, a preternatural sensibility to music, had also, as may be supposed, the most entire want of musical knowledge. No blunders could do much to mar _my_ pleasure. There first I heard the concertos of Corelli; but also, which far more profoundly affected me, a few selections from Jomelli and Cimarosa. With Handel I had long been familiar, for the famous chorus singers of Lancashire sang continually at churches the most effective parts from his chief oratorios. Mozart was yet to come; for, except perhaps at the opera in London, even at this time, his music was most imperfectly diffused through England. But, above all, a thing which to my dying day I could never forget, at the house of this guardian I heard sung a long canon of Cherubini's. Forty years later I heard it again, and better sung; but at that time I needed nothing better. It was sung by four male voices, and rose into a region of thrilling passion, such as my heart had always dimly craved and hungered after, but which now first interpreted itself, as a physical possibility, to my ear.