For some singular months we lived upon this romance, and lived in it so
intensely that all else became but a dream. Dream-like we accomplished
our tasks, filled our slates with figures, copied headlines, recited
verses, the dates of English history, wrought our samplers, and answered
the responses of the rosary. But our thoughts, ourselves, were
elsewhere, with the next beam to make a hole in, and the assurance I had
given them that I had seen through a chink of the infirmary floor a
white hand like marble. I was the first victim of my own invention, for
I honestly believed all I said. I will not say that vanity was an alien
factor in the unconscious invention. I enjoyed my power, my triumph, the
fear I had inspired and so thrillingly shared--above all, I enjoyed the
popularity it gave me as leader of a band of miscreants.
I do not remember how or why the fever abated. Were we found out and
punished for mutilated planks? We so exaggerated the mystery of our
conspiracy that it would be strange indeed if it were not discovered.
But the end of the romance is completely effaced from memory. It has
left no impression whatever. I see myself in turn frozen and fevered
with terror, digging at every mortal spot of the convent open to the
depredations of my penknife, in a wild hunt for bones and secret
passages and forbidden stairs. I see the whole school enthralled by my
ardent whim. And that is all.
Chapter XV.
AN EXILE IN REVOLT.
What surprises me most when I recall those days is my own rapid
development. The tiny inarticulate pensive creature of Ireland is, as if
by magic, turned into a turbulent adventurer, quick with initiation,
with a ready and violent word for my enemies, whom I regarded as many,
with a force of character that compelled children older than myself to
follow me; imperious, passionate, and reckless. How did it come about?
It needed long months of unhappiness at home to make me revolt against
the most drastic rule, and here it sufficed that a nun should doubt my
word to turn me into a glorified outlaw.
Public-domain text, read in full here on John Shaqi.
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