My companion and I {FN41-1} were spending the month of November, 1935, as guests of the State of Mysore. The Maharaja, H.H. Sri Krishnaraja Wadiyar IV, is a model prince with intelligent devotion to his people. A pious Hindu, the Maharaja has empowered a Mohammedan, the able Mirza Ismail, as his Dewan or Premier. Popular representation is given to the seven million inhabitants of Mysore in both an Assembly and a Legislative Council. The heir to the Maharaja, H.H. the Yuvaraja, Sir Sri Krishna Narasingharaj Wadiyar, had invited my secretary and me to visit his enlightened and progressive realm. During the past fortnight I had addressed thousands of Mysore citizens and students, at the Town Hall, the Maharajah’s College, the University Medical School; and three mass meetings in Bangalore, at the National High School, the Intermediate College, and the Chetty Town Hall where over three thousand persons had assembled. Whether the eager listeners had been able to credit the glowing picture I drew of America, I know not; but the applause had always been loudest when I spoke of the mutual benefits that could flow from exchange of the best features in East and West. Mr. Wright and I were now relaxing in the tropical peace. His travel diary gives the following account of his impressions of Mysore: “Brilliantly green rice fields, varied by tasseled sugar cane patches, nestle at the protective foot of rocky hills-hills dotting the emerald panorama like excrescences of black stone-and the play of colors is enhanced by the sudden and dramatic disappearance of the sun as it seeks rest behind the solemn hills. “Many rapturous moments have been spent in gazing, almost absent-mindedly, at the ever-changing canvas of God stretched across the firmament, for His touch alone is able to produce colors that vibrate with the freshness of life. That youth of colors is lost when man tries to imitate with mere pigments, for the Lord resorts to a more simple and effective medium-oils that are neither oils nor pigments, but mere rays of light. He tosses a splash of light here, and it reflects red; He waves the brush again and it blends gradually into orange and gold; then with a piercing thrust He stabs the clouds with a streak of purple that leaves a ringlet or fringe of red oozing out of the wound in the clouds; and so, on and on, He plays, night and morning alike, ever-changing, ever-new, ever-fresh; no patterns, no duplicates, no colors just the same. The beauty of the Indian change in day to night is beyond compare elsewhere; often the sky looks as if God had taken all the colors in His kit and given them one mighty kaleidoscopic toss into the heavens.