Autobiography of Andrew Dickson White — Volume 2White, Andrew Dickson
History
Autobiography of Andrew Dickson White — Volume 2
White, Andrew Dickson
Cornell University; Diplomats -- United States -- Biography; White, Andrew Dickson, 1832-1918
A quarter of a century later the Republic fell under the rule of
Austria, and Austria's most time-honored agency in keeping down
subject populations has always been the priesthood. Again Father
Paul's memory was virtually proscribed, and in 1803 another
desperate attempt was made to cover him with infamy. In that year
appeared a book entitled The Secret History of the Life of Fra
Paolo Sarpi, and it contained not only his pretended biography,
but what claimed to be Sarpi's own letters and other documents
showing him to be an adept in scoundrelism and hypocrisy. Its
editor was the archpriest Ferrara of Mantua; but on the
title-page appeared, as the name of its author, Fontanini,
Archbishop of Ancira, a greatly respected prelate who had died
nearly seventy years before, and there was also stamped, not only
upon the preliminary, but upon the final page of the work, the
approval of the Austrian government. To this was added a pious
motto from St. Augustine, and the approval of Pius VII was
distinctly implied, since the work was never placed upon the
Index, and could not have been published at Venice, stamped as it
was and registered with the privileges of the University, without
the consent of the Vatican.
The memory of Father Paul seemed likely now to be overwhelmed.
There was no longer a Republic of Venice to guard the noble
traditions of his life and service. The book was recommended and
spread far and wide by preachers and confessors.
But at last came a day of judgment. The director of the Venetian
archives discovered and had the courage to announce that the work
was a pious fraud of the vilest type; that it was never written
by Fontanini, but that it was simply made up out of the old
scurrilous work of Vaerini, suppressed over thirty years before.
As to the correspondence served up as supplementary to the
biography, it was concocted from letters already published, with
the addition of Jesuitical interpolations and of forgeries.[1]
Now came the inevitable reaction, and with it the inevitable
increase of hatred for Austrian rule and the inevitable question,
how, if the Pope is the infallible teacher of the world in all
matters pertaining to faith and morals, could he virtually
approve this book, and why did he not, by virtue of his divine
inerrancy, detect the fraud and place its condemnation upon the
Index. The only lasting effect of the book, then, was to revive
the memory of Father Paul's great deeds and to arouse Venetian
pride in them. The fearful scar on his face in the portrait spoke
more eloquently than ever, and so it was that, early in the
nineteenth century, many men of influence joined in proposing a
suitable and final interment for the poor bones, which had seven
times been buried and reburied, and which had so long been kept
in the sordid box at the Ducal Library. The one fitting place of
burial was the cemetery of San Michele. To that beautiful island,
so near the heart of Venice, had, for many years, been borne the
Public-domain text, read in full here on John Shaqi.
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