As a result of observation and reflection during a long life which has touched public men and measures in wide variety, I would desire for my country three things above all others, to supplement our existing American civilization: from Great Britain her administration of criminal justice; from Germany her theater; and from any European country, save Russia, Spain, and Turkey, its government of cities. As to the second of these desired contributions, ten years in Germany at various periods during an epoch covering now nearly half a century have convinced me that her theater, next after her religious inheritance, gives the best stimulus and sustenance to the better aspirations of her people. Through it, and above all by Schiller, the Kantian ethics have been brought into the thinking of the average man and woman; and not only Schiller, but Lessing, Goethe, Gutzkow, and a long line of others have given an atmosphere in which ennobling ideals bloom for the German youth, during season after season, as if in the regular course of nature. The dramatic presentation, even in the smallest towns, is, as a rule, good; the theater and its surroundings are, in the main, free from the abuses and miseries of the stage in English-speaking lands, and, above all, from that all-pervading lubricity and pornographic stench which have made the French theater of the last half of the nineteenth century a main cause in the decadence of the French people. In most German towns of importance one finds the drama a part of the daily life of its citizens--ennobling in its higher ranges, and in its influence clean and wholesome.