But the most curious--indeed, the most amazing--revelation of the man I found in his love for American literature. He is a wide reader; and, in the whole breadth of his reading, American authors were evidently among those he preferred. Of these his favorites were Hawthorne, Lowell, and, above all, Emerson. Curious, indeed, was it to learn that this "arch-persecutor," this "Torquemada of the nineteenth century," this man whose hand is especially heavy upon Catholics and Protestants and dissenters throughout the empire, whose name is spoken with abhorrence by millions within the empire and without it, still reads, as his favorite author, the philosopher of Concord. He told me that the first book which he ever translated into Russian was Thomas a Kempis's "Imitation of Christ"; and of that he gave me the Latin original from which he made his translation, with a copy of the translation itself. But he also told me that the next book he translated was a volume of Emerson's "Essays," and he added that for years there had always lain open upon his study table a volume of Emerson's writings. There is, thus clearly, a relation of his mind to the literature of the Western world very foreign to his feelings regarding Western religious ideas. This can be accounted for perhaps by his own character as a man of letters. That he has a distinct literary gift is certain. I have in my possession sundry articles of his, and especially a poem in manuscript, which show real poetic feeling and a marked power of expression. It is a curious fact that, though so addicted to English and American literature, he utterly refuses to converse in our language. His medium of communication with foreigners is always French. On my asking him why he would not use our language in conversation, he answered that he had learned it from books, and that his pronunciation of it would expose him to ridicule. In various circles in St. Petersburg I heard him spoken of as a hypocrite, but a simple sense of justice compels me to declare this accusation unjust. He indeed retires into a convent for a portion of every year to join the monks in their austerities; but this practice is, I believe, the outgrowth of a deep religious feeling. On returning from one of these visits, he brought to my wife a large Easter egg of lacquered work, exquisitely illuminated. I have examined, in various parts of Europe, beautiful specimens of the best periods of mediaeval art; but in no one of them have I found anything in the way of illumination more perfect than this which he brought from his monkish brethren. In nothing did he seem to unbend more than in his unfeigned love for religious art as it exists in Russia. He discussed with me one evening sundry photographs of the new religious paintings in the cathedral of Kieff in a spirit which revealed this feeling for religious art as one of the deepest characteristics of his nature.