Autographs for Freedom, by Mrs. Harriet Beecher Stowe, and Thirty-five Other Eminent Writers
History
Autographs for Freedom, by Mrs. Harriet Beecher Stowe, and Thirty-five Other Eminent Writers
Antislavery movements -- United States; Slavery -- United States
Gracie looked around with an air of utter desolation, and began to cry,
“I wanted to give them something,” said she. “I’d rather go barefoot on
the snow all day, than not send ’em anything.”
“Give me the stocking’s, my child,” said the old soldier tenderly.
“There, I’ll take ’em, and show ’em to the soldiers, and tell them what
the little girl said that sent them. And it will do them as much good as
if they could wear them. They’ve got little girls at home, too.” Gracie
fell on her mother’s bosom, completely happy, and Aunt Hitty only
muttered, “Everybody does spile that child; and no wonder, neither!”
Soon the old sleigh drove off from the brown house, tightly packed and
heavily loaded. And Gracie and Dicky were creeping up to their little
beds.
“There’s been something put on the altar of Liberty to-night, hasn’t
there, Dick?”
“Yes, indeed,” said Dick; and, looking up to his mother, he said, “But,
mother, what did you give?”
“I?” said the mother, musingly.
“Yes, you, mother; what have you given to the country?”
“All that I have, dears,” said she, laying her hands gently on their
heads,—“my husband and my children!”
II.—THE ALTAR OF ——, OR 1850.
The setting sun of chill December lighted up the solitary front window
of a small tenement on —— street, which we now have occasion to visit.
As we push gently aside the open door, we gain sight of a small room,
clean as busy hands can make it, where a neat, cheerful young mulatto
woman is busy at an ironing-table. A basket full of glossy-bosomed
shirts, and faultless collars and wristbands, is beside her, into which
she is placing the last few items with evident pride and satisfaction. A
bright, black-eyed boy, just come in from school, with his satchel of
books over his shoulder, stands, cap in hand, relating to his mother how
he has been at the head of his class, and showing his school-tickets,
which his mother, with untiring admiration, deposits in the little real
china tea-pot, which, as being their most reliable article of gentility,
is made the deposit of all the money and most especial valuables of the
family.
“Now, Henry,” says the mother, “look out and see if father is coming
along the street;” and she begins filling the little black tea-kettle,
which is soon set singing on the stove.
From the inner room now daughter Mary, a well-grown girl of thirteen,
brings the baby, just roused from a nap, and very impatient to renew his
acquaintance with his mamma.
“Bless his bright eyes!—mother will take him,” ejaculates the busy
little woman, whose hands are by this time in a very floury condition,
in the incipient stages of wetting up biscuit, “in a minute;” and she
quickly frees herself from the flour and paste, and, deputing Mary to
roll out her biscuit, proceeds to the consolation and succour of young
master.
Public-domain text, read in full here on John Shaqi.
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