Autographs for Freedom, by Mrs. Harriet Beecher Stowe, and Thirty-five Other Eminent Writers
History
Autographs for Freedom, by Mrs. Harriet Beecher Stowe, and Thirty-five Other Eminent Writers
Antislavery movements -- United States; Slavery -- United States
Long after Madison had left the ground, Mr. Listwell (our traveller)
remained in motionless silence, meditating on the extraordinary
revelations to which he had listened. He seemed fastened to the spot,
and stood half hoping, half fearing the return of the sable preacher to
his solitary temple. The speech of Madison rung through the chambers of
his soul, and vibrated through his entire frame. “Here is indeed a man,”
thought he, “of rare endowments,—a child of God,—guilty of no crime but
the colour of his skin—hiding away from the face of humanity, and
pouring out his thoughts and feelings, his hopes and resolutions to the
lonely woods; to him those distant church bells have no grateful music.
He shuns the church, the altar, and the great congregation of the
Christian worshippers, and wanders away to the gloomy forest, to utter
in the vacant air complaints and griefs, which the religion of his times
and his country can neither console nor relieve. Goaded almost to
madness by the sense of the injustice done him, he resorts hither to
give vent to his pent-up feelings, and to debate with himself the
feasibility of plans, plans of his own invention, for his own
deliverance. From this hour I am an abolitionist. I have seen enough and
heard enough, and I shall go to my home in Ohio resolved to atone for my
past indifference to this ill-starred race, by making such exertions as
I shall be able to do, for the speedy emancipation of every slave in the
land.”
PART II.
“The gaudy, blabbing and remorseful day
Is crept into the bosom of the sea;
And now loud-howling wolves arouse the jades
That drag the tragic melancholy night;
Who with their drowsy, slow, and flagging wings
Clip dead men’s graves, and from their misty jaws
Breathe foul contagions, darkness in the air.”
_Shakspeare._
Public-domain text, read in full here on John Shaqi.
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