Autumn Glory; Or, The Toilers of the FieldBazin, René
General
Autumn Glory; Or, The Toilers of the Field
Bazin, René
Peasants -- France -- Fiction; Vendée (France) -- Fiction
As in its early days, when in the last years of the twelfth century it
was erected on the summit of the Isle of Sallertaine, the little
church, now yellow with age and growth of lichen and wild-flower,
witnessed the crowd of worshippers, dressed in the same fashions as
then, pour out from the same doors in the same order and collect in
the same groups in the same Place.
The first to be seen were the farm-labourers and farmers' sons, who
came out by the east door from the transept where they had heard mass,
and who, passing round the choir, grouped themselves on the other
side, where the young girls would presently emerge. Two by two they
appeared between the pillars of the west porch with eyes lowered to
the tips of their sabots. They were well aware that their rosy cheeks,
smoothly braided hair beneath the pyramid of muslin, the embroidered
stockings peeping under the short petticoat, the manner in which they
walked with hands demurely crossed over the moiré aprons, made them
the cynosure of all eyes. This retired bearing only lasted for some
twenty paces; soon the girls had formed themselves into a group close
by the Michelonnes' house, at a short distance from that of the
younger men. And now in their turn they waited. Eyes grey, blue,
brown, very much on the alert; eyes sparkling with life; eyes in which
lived a remembrance. Laughing lips, telling of the mere joy of living;
the chirping as of a flock of birds greeting one another. Following
them came the farmers and their wives; widows, distinguishable by the
band of velvet in front of their coifs; older men, men of position;
these all issuing from the nave, among them many a grave face still
under the influence of devotion, in which like walking saints they
seemed wholly absorbed. Many tall, finely set up men there were, with
calm, fresh complexioned faces closely shaven, save for a thin line of
whisker. All wore the same costume of black cloth coat with straight
collar, trousers with flaps, raised on the ankle by a fold in the
cloth, blue or green belt extending half way up the waistcoat, round
felt hat bound with velvet. They joined the younger men, swelling the
groups that shouldered each other, forming by this time a dark swaying
mass reaching to the last buttress of the choir.
The matrons, on the contrary, making a passage for themselves through
the crowd, went their way, looking in their plaited skirts like
ornamental round towers. From their calm eyes, and the brief smile
with which they exchanged greetings with a town acquaintance, it was
plain to see that, having outgrown the follies and illusions of youth,
each had settled down to her store of domestic happiness, joy, or
sorrow that a green patch in the Marais had reserved for her. They
talked with other farmers' wives, were joined by one or other for the
homeward way, and thus accompanied, dignified and worthy, they
directed their steps towards the plain, or to the various boating
stages.
Public-domain text, read in full here on John Shaqi.
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