Autumn Glory; Or, The Toilers of the FieldBazin, René
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Autumn Glory; Or, The Toilers of the Field
Bazin, René
Peasants -- France -- Fiction; Vendée (France) -- Fiction
And under the pointed arch of a low doorway, one half of which only
was open, a deformed figure was seen struggling to force a passage
through the narrow aperture, one hand holding a crutch clutched hold
of a pillar outside, by which the poor man strove to drag himself
through, but he had only succeeded in freeing one shoulder. With head
thrown back, there was an expression of agony upon the face which
attested the violence of the effort, and the strength of will that
would not give in. Mathurin Lumineau seemed on the point of
suffocation; he looked at no one in the throng of people whose gaze
was riveted upon him; his eyes on a higher level than those of the
spectators were fixed upon the blue vault of heaven with an expression
of anguish that re-acted upon them.
Conversation was interrupted; voices began to murmur,
"Oh, help him! He is suffocating!"
Some of the men made a movement to go to his assistance; at that
moment, from the gloom of the interior, his father asked:
"Shall I help you out, Mathurin? You cannot squeeze through there. Let
me help you."
In a low voice, inaudible to those without, but with terrible energy,
Mathurin answered:
"Don't touch me. Confound it! Don't touch me. I will get out by
myself."
At length the man forced his huge bust through the door, and with a
tremendous effort steadied himself, stroked his tawny beard and
settled his hat on his head. Then with the aid of his crutches,
standing as upright as he could, Mathurin looked straight before him,
and advanced towards the group of men, which opened out silently at
his approach. No one ventured to address him, it was so long since he
had been among them, the old habit of familiarity seemed lost; but the
attention of all was concentrated upon their former comrade, and no
one noticed that his old father with André and Marie-Rose were
following close behind him.
Public-domain text, read in full here on John Shaqi.
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