Autumn Glory; Or, The Toilers of the FieldBazin, René
General
Autumn Glory; Or, The Toilers of the Field
Bazin, René
Peasants -- France -- Fiction; Vendée (France) -- Fiction
The farmstead where the gathering was held was a fairly modern
building, the usual large house-place being divided into two rooms of
unequal size. In the smaller of these the elder men, with the master
of the house, were drinking and playing luette. In the larger, that by
which the two Lumineaus had entered, dancing was going on. The tables
had been pushed along the walls beside the beds, the curtains of which
had been spread over the counterpanes to save them from being torn.
Some half-dozen matrons, who had accompanied their daughters, had
collected round the hearth before a fire of dried cow-dung, the fuel
of that treeless district, each having on the mantel-piece her cup of
coffee, with a dash of brandy in it, from which she took an occasional
sip.
Petroleum lamps placed along the wall lighted the narrow space
reserved for dancing. A smoky, heated, vinous atmosphere pervaded the
house. The icy air from without drew in under the door, sometimes
making the young Maraîchines, despite their stout woollen gowns,
shiver with cold. But no one minded. The room was filled with
laughter, chatter, and movement. Youths and maidens from isolated
farmhouses, cut off from one another by periodical inundations, they
were tired of solitude and repose. Escaped from their tedium and
restored for a brief space of social intercourse, they seemed
possessed by feverish excitement. Soon all the gay dancers would be
dispersed again over the mute, trembling sheet of water. They knew it;
and made the most of the short reprieve.
So dancing recommenced.
First the Maraîchine, a dance for four, a kind of ancient _bourrée_,
which the lookers-on accompanied by a rhythmic humming; then _rondes_
sung by a male or female voice, taken up by the others in chorus to
the accompaniment of an accordeon played by a sickly, deformed boy of
twelve; or there were modern dances, polkas and quadrilles, danced to
one and the same tune, the time only made to vary. The girls, for the
most part, danced well, some with a keen sense of rhythm and grace.
Round their waists the most dainty had knotted a white handkerchief,
to preserve their dresses when, after each refrain, their partner
seized his lady round the waist and jumped her as high as possible, to
demonstrate the lightness of the Maraîchines and the strength of the
Maraîchins. Known to each other, these young people from the same
parish, often neighbours, resumed the flirtations of the preceding
winter; they made love; appointed meetings at Chalons fair, or at
some coming dance at another farm; new-comers were gladly welcomed.
Among these latter André Lumineau was the most sought after, the most
cheery, most fertile at inventing nonsense and talking it.
Time passed. Twice Père Gauvrit had gone through the two rooms, opened
the house door, and said:
Public-domain text, read in full here on John Shaqi.
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