Autumnal leaves: tales and sketches in prose and rhymeChild, Lydia Maria
General
Autumnal leaves: tales and sketches in prose and rhyme
Child, Lydia Maria
American essays -- 19th century; American fiction -- 19th century; Short stories, American
While she was in this agonizing extremity, Tom seemed to rouse from his
usual state of drowsy indifference. He lay with his head between his
paws, watching her earnestly for awhile; then he rose up and walked
round her, evidently much disquieted. When he saw her lying stiff and
cold on the floor, he made no whining noise; but his proceedings seemed
to indicate that he knew what had happened. The kittens were nestled
together on the platform of the old Dutch “stoop.” He went out to them,
and began to lick their fur in the most affectionate manner. After that,
he was never seen to knock them about, and never heard to growl at them.
Their own mother could not have treated them with more tenderness, or
submitted to their gambols with more patience. Apparently, they mistook
the gruff old fellow for their mother; for they went to him for
nourishment, and he made no resistance. Again and again, I saw him
stretched on the floor of the “stoop,” while the kittens appeared to be
sucking with all diligence, moving their little paws, as if satisfied
and happy. This circumstance, of course, excited surprise in the family.
One asked another whether it was possible that they obtained milk, or
whether they drew blood for their sustenance. Tom never gave any
indications of suffering inconvenience from this singular imitation of
the maternal office. He must have nourished them in _some_ way; for they
did not learn to lap milk for several days; yet they lived, and seemed
comfortable and thriving. After Tom took upon himself the care of the
orphans, he seemed to become really fond of them, and to enjoy the
frolics that had formerly made him so angry. The voluntary exercise of
benevolence improved his temper wonderfully for the time being, and
evidently made him a much happier cat.
Public-domain text, read in full here on John Shaqi.
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