Autumnal leaves: tales and sketches in prose and rhymeChild, Lydia Maria
General
Autumnal leaves: tales and sketches in prose and rhyme
Child, Lydia Maria
American essays -- 19th century; American fiction -- 19th century; Short stories, American
When he was fourteen years old, and Zaida was twelve, they were married.
Madame Van der Veen furnished cake and lemonade for the wedding, and
gave gay dresses to the juvenile bride and bridegroom, who looked
extremely well in their new finery. Jan had lost something of his
childish beauty, but he was still handsome. His yellow complexion was
rendered paler by the contrast of his jet black hair and the bright
turban that surmounted it. His limbs were slender and flexible, his
features small and well proportioned, and his large antelope eyes had a
floating, plaintive expression, as if there was always a tear in his
soul. Zaida was rounder, and browner, and ruddier. Her dark hair was
combed entirely back, and twisted into a knot, ornamented with scarlet
flowers. The short downy hairs about the forehead curled themselves into
a little wavy fringe. From her small ears were suspended two large
gilded hoops, a bridal present from the old Englishman. From her Arab
father she inherited eyes more beautifully formed than belonged to her
mother’s race. The long dark lashes curled upward, and imparted a
smiling expression, even in her most serious moments; and when she was
amused, her eyes laughed outright. There was a harmonized contrast
between her and her bridegroom, which was extremely agreeable. The young
Englishman compared them to the major and minor mode; and Madame Van der
Veen said they looked like hope and memory. Personal comeliness is rare
among the natives of those islands. Little Zaida was like a ruby among
pudding-stones.
A bamboo hut, raised two feet from the ground, and consisting of two
apartments, without windows, was their bridal home. It was all they
needed in a climate where, more than half the year, all household
occupations could be most conveniently performed out of doors. There was
a broad verandah in front, sheltered from rain and sun by the projecting
roof. In front was a grove of orange and lemon trees, and in the rear
was a group of plantains, whose immensely long broad leaves and yellow
spikes of nodding flowers cast refreshing shadows.
A grass mat, of Jan’s own weaving, and pillows filled with a kind of
silky down from a wild plant, answered for a bed. Gourd shells, a few
earthern dishes, and a wooden waiter from which they ate their meals,
seated on the floor, constituted their simple furniture. The rooms,
which received light from the open door, were used only for eating and
sleeping. The verandah was the place where all their sedentary
occupations were pursued. There, Zaida might be seen busy at her
spinning-wheel and loom; there, Jan wove mats and baskets for his
master’s household; and there stood his gambang, a musical instrument,
with wooden bars of graduated lengths, which he struck with a mallet, to
accompany the simple Javanese melodies that he and Zaida were accustomed
to sing together.
Public-domain text, read in full here on John Shaqi.
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