Autumnal leaves: tales and sketches in prose and rhymeChild, Lydia Maria
General
Autumnal leaves: tales and sketches in prose and rhyme
Child, Lydia Maria
American essays -- 19th century; American fiction -- 19th century; Short stories, American
As soon as the first hurry was over, the men of the family converted
packing-boxes into shelves for books and utensils, and made divers
grotesque-looking stools, with cotton cloth and unpeeled boughs of wood,
after the fashion of portable garden-chairs. There was talk of a table
to be hewn from a black walnut tree; but as yet the tree was growing,
and boards on barrel-tops must answer meanwhile. The salt-cellars were
broken when the wagons were pitching down some of the ravines; but the
shell of a turtle, which Kate’s brother Thomas had brought among his
traps, made a tolerable substitute. The women missed the smooth, white
table-cloths, and the orderly arrangement of dishes, to which they had
been accustomed; but they agreed with the men, that no food had ever
tasted so good as the corn-cakes, venison, and wild game cooked in that
humble cabin, where they mutually served each other in love. Then the
unpacking of the deep trunks and boxes, bringing to light memorials of
old places and dear friends, was a pleasure which only the far-off
emigrant from home may realize. Some mutual secrets had been kept, which
made little sunny ripples of surprise in their quiet stream of life.
Alice’s father and mother had packed their photograph likenesses in
Katie’s trunk, with a charge that they should not be opened till they
were settled in their new home. Katie had pressed mosses and ferns from
the old well near Uncle May’s garden-gate. They were twined with pendant
blossoms from the old elm, and woven into a garland round the words,
“From the well, whose waters Katie and Allie drank in childhood, and
from the old elm-tree from whose boughs they used to swing.” She had
framed it neatly with cones, gathered in a pine grove, where they had
walked together many an hour. These souvenirs of the dear old home so
stirred the deep fountains of feeling in her cousin’s soul, that she
burst into tears. But Katie soon made her laugh, by exhibiting a
crockery bear, which little Georgy had packed among the things, to
remind them of the living bear he expected to receive from Kansas.
Alice said she had a little secret too. She retreated to her division
of the room, and brought forth a pencil-drawing of the house where Katie
was born, and where her mother had always lived; and across the green
lane was Uncle May’s house, with the old well shaded by the elm. She had
a talent for drawing, and the dear familiar scene was brought faithfully
before the eye, though a little idealized by the softness of the
shading.
Public-domain text, read in full here on John Shaqi.
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