Autumnal leaves: tales and sketches in prose and rhymeChild, Lydia Maria
General
Autumnal leaves: tales and sketches in prose and rhyme
Child, Lydia Maria
American essays -- 19th century; American fiction -- 19th century; Short stories, American
The printing-press was broken in pieces; the types scattered; the Free
State Hotel demolished; General Robinson’s house, with its valuable
library, burned to the ground; and many of the cabins set on fire. No
time was allowed to remove any thing from the dwellings. Trunks and
bureaus were ransacked; daguerreotypes and pictures of dear home friends
were cut and smashed; and letters scattered and trampled in the mud. The
women and children had been ordered out, at the commencement of these
outrages. Mothers were weeping, as they fled across the prairies, and
the poor bewildered little ones were screaming and crying in every
direction.
What cared New England that _her_ six stars were looking down upon the
scene, in shameful “Union” with that blood-red flag?
Above the noise of tumbling stones, and crackling roofs, and screaming
children, rose that horrid yell of the Border Ruffians. “Damn the
Yankees!” “Give ’em hell!”
A figure, tall as Ajax, loomed up above the savage crowd, calling out,
“I’m down on all _sich_ fixens. Allers tole yer ’twas darned mean to
come over into the Territory an vote for these fellers. I’m pro-slave
myself. I’d like to see him that dar’d to call me an abolitionist; but I
tell yer what, boys, this ere’s cuttin up a little _too_ high.” He was
interrupted with shouts of, “Hold your jaw!” “Shut up! you damned ole
fool!” Still he remonstrated: “This is a breakin down the rights o’
American citizens. You might jist as well smash my ole woman’s bureau.
Them ar traps are personal property. I’m down on all sich fixens.”
“Pitch into him!” cried the rabble; and they did “pitch into him,” amid
yells and laughter. Tom Thorpe was silenced. He learned the uselessness
of trying to moderate slavery, or ameliorate murder.
Public-domain text, read in full here on John Shaqi.
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