Autumnal leaves: tales and sketches in prose and rhymeChild, Lydia Maria
General
Autumnal leaves: tales and sketches in prose and rhyme
Child, Lydia Maria
American essays -- 19th century; American fiction -- 19th century; Short stories, American
She smiled and answered, “I thank thee for thy friendly caution; but I
trust in the Power that has hitherto protected me.”
After a short pause, he said, “Your place of meeting is two miles from
here. Where is the horse you used to ride?”
“A soldier took it from me, as I rode from meeting several weeks ago,”
she replied.
“You see then it is, as I have said, unsafe for you to go,” he rejoined.
“Had you not better turn back?”
With great earnestness she answered, “Friend Camillo, I cannot otherwise
than go. Our people are afflicted and bowed down. The soldiers have
nearly consumed our provisions. Our women are almost worn out with the
fatigue of constant nursing and perpetual alarms. All are not unwavering
in their faith. It is the duty of the strong to sustain the weak; and
therefore it is needful that we meet together for counsel and
consolation.”
The young man looked at her with affectionate reverence. The fair
complexion and shining ringlets of childhood were gone, but a serene and
deep expression of soul imparted a more elevated beauty to her
countenance. He parted from her with a blessing, simply and fervently
uttered; but he entered the adjoining fields, and as he walked along he
kept her within sight until she arrived safely at the place of meeting.
While he thus watched her unseen, he recollected how often his taste had
been offended by the quaint awkwardness of the Quaker garb; and uttering
aloud the sequel to his thoughts, he said, “But beautiful and graceful
will her garments be in heaven.”
Soon after this interview, he departed with a strong escort to convey
his mother and other Catholic women into a less turbulent district.
Alice bade them farewell with undisguised sadness; for we learn to love
those whom we serve, and there seemed little probability that they would
ever return to reside in that troubled neighborhood.
The next time she saw Camillo, he was brought into her father’s house on
a litter, senseless, and wounded, as it was supposed, unto death. All
the restoratives they could think of were applied, and at last, as Alice
bent over him, bathing his temples, he opened his eyes with a dull
unconscious stare, which gradually relaxed into a feeble smile, as he
whispered, “My Quaker lady-bird.” Some hours afterward, when she brought
him drink, he gently pressed her hand, and said, “Thank you, dear
Alice.” The words were simple, but the expression of his eyes and the
pressure of his hand sent a thrill through the maiden, which she had
never before experienced. That night, she dreamed of winged children
seen through flowering vines, and Camillo laughed when the parrot called
her “Lady-bird.”
Public-domain text, read in full here on John Shaqi.
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