Autumnal leaves: tales and sketches in prose and rhymeChild, Lydia Maria
General
Autumnal leaves: tales and sketches in prose and rhyme
Child, Lydia Maria
American essays -- 19th century; American fiction -- 19th century; Short stories, American
On New Year’s day, the offerings, enclosed in one box, were presented by
the good grandfather. The first was a golden apple, which opened and
revealed on one side an exquisitely neat watch, surrounded by a garland
tastefully wrought in rich damaskeening of steel and gold; on the other
side was a rose intertwined with forget-me-nots, very perfectly done in
mosaic. When the stem of the apple was turned, a favourite little tune
of Rosabella’s sounded from within.
“This is surely Florien’s,” thought she; and she looked for the other
gift with less interest. It was an elegant little gold watch, with a
Persian landscape, a gazelle and birds of Paradise beautifully engraved
on the back. When a spring was touched, the watch opened, a little
circular plate of gold slid away, and up came a beautiful rose, round
which a jewelled bee buzzed audibly. On the edge of the golden circle
below were the words _Rosa bella_ in ultramarine enamel. When another
spring was touched, the rose went away, and the same melody that sounded
from the heart of the golden apple seemed to be played by fairies on
tinkling dew-drops. It paused a moment, and then struck up a lively
dance. The circular plate again rolled away, and up sprung an inch-tall
opera-dancer, with enamelled scarf, and a very small diamond on her
brow. Leaping and whirling on an almost invisible thread of gold, she
kept perfect time to the music, and turned her scarf most gracefully.
Rosabella drew a long breath, and a roseate tinge mantled her beautiful
face, as she met her grandfather’s gaze fixed lovingly upon her. She
thought to herself, “There is no doubt now which is Florien’s;” but she
said aloud, “They are both very beautiful; are they not, dear
grandfather? I am not worthy that so much pains should be taken to
please me.” The old man smiled upon her, and fondly patted the luxuriant
brown hair, which shone like threads of amber in the sun. “Which dost
thou think _most_ beautiful?” said he.
She evaded the question, by asking, “Which do _you_?”
“I will tell thee when thou hast decided,” answered he.
She twisted and untwisted the strings of her boddice, and said she was
afraid she should not be impartial. “Why not?” he inquired. She looked
down bashfully, and murmured, in a very low voice, “Because I can easily
guess which is Florien’s.”
“Ah, ha,” exclaimed the kind old man; and he playfully chucked her under
the chin, as he added, “Then I suppose I shall offend thee when I give a
verdict for the bee and the opera-dancer?”
She looked up blushing, and her large serious brown eyes had for a
moment a comic expression, as she said, “I shall do the same.”
Never were disciples of the beautiful placed in circumstances more
favourable to the development of poetic souls. The cottage of Antoine
Breguet was
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