Autumnal leaves: tales and sketches in prose and rhymeChild, Lydia Maria
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Autumnal leaves: tales and sketches in prose and rhyme
Child, Lydia Maria
American essays -- 19th century; American fiction -- 19th century; Short stories, American
Florien warmly praised the pretty automaton; but he was somewhat vexed
that he himself did not think of making the graceful little animal for
which the maiden had expressed a wish. Her pet Canary had died the day
before, and his eye happened to rest on the empty cage hanging over the
flower-stand. “I too will give her a pleasure,” thought he. A few weeks
after, as they sat at breakfast, sweet notes were heard from the cage,
precisely the same the Canary used to sing; and, looking up, the
astonished maiden saw him hopping about, nibbling at the sugar and
pecking his feathers, as lively as ever. Florien smiled, and said, “Is
it as much alive as Pierre’s squirrel?”
The approach of the next birth-day was watched with eager expectation;
for even the old man began to feel keen pleasure in the competition, as
if he had witnessed a race between fleet horses. Pierre, excited by the
maiden’s declaration that she mistook his golden apple for Florien’s
workmanship, produced a much more elegant specimen of art than he had
ever before conceived. It was a barometer, supported by two knights in
silver chain-armour, who went in when it rained, and came out when the
sun shone. On the top of the barometer was a small silver basket, of
exceedingly delicate workmanship, filled with such flowers as close in
damp weather. When the knights retired, these flowers closed their
enamelled petals, and when the knights returned, the flowers expanded.
Florien produced a silver chariot, with two spirited and finely
proportioned horses. A revolving circle in the wheels showed on what day
of the month occurred each day of the week, throughout the year. Each
month was surmounted by its zodiacal sign, beautifully enamelled in
green, crimson and gold. At ten o’clock the figure of a young girl,
wearing Rosabella’s usual costume, and resembling her in form and
features, ascended slowly from behind the wheel, and at the same moment,
the three Graces rose up in the chariot and held garlands over her. From
the axle-tree emerged a young man, in Florien’s dress, and kneeling
offered a rose to the maiden.
Public-domain text, read in full here on John Shaqi.
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