Autumnal leaves: tales and sketches in prose and rhymeChild, Lydia Maria
General
Autumnal leaves: tales and sketches in prose and rhyme
Child, Lydia Maria
American essays -- 19th century; American fiction -- 19th century; Short stories, American
But though Utouch was a mocking spirit, Alfred could not complain that
he had been untrue to his bargain. He had promised to bestow any thing
he craved from his kingdom of the outward. He had asked for honour in
the church, influence at the exchange, a rich handsome wife, and superb
horses. He had them all. Whose fault was it, that he was continually
looking round anxiously to observe whether _others_ had more of the
goods he coveted? He had wished for a luxurious table, and it stood
covered with the rarest dainties of the world. But with a constrained
smile he said to his guests, “Is it not provoking to be surrounded with
luxuries I cannot eat? That pie-crust would torment my sleep with a
legion of nightmares. It is true, I do not crave it much; for I sit at a
loaded table ‘half-famished for an appetite,’ as the witty Madame de
Sevigné used to say. Again and again, he asked himself, why all the
fruit that seemed so ripe and tempting on the outside was always dry and
dusty within. And if he was puzzled to understand why he _seemed_ to
have all things, and yet really _had_ nothing, still more was he puzzled
to explain how Ernest _seemed_ to have so little, and yet in reality
possessed _all_ things. One evening, at a concert, he happened to sit
near Ernest and his wife, while they listened to the beautiful Symphony
by Spohr, called the Consecration of the Tones. Delighted as children
were they, when they began to hear the winds murmur through the music,
the insects pipe, and one little bird after another chirp his notes of
gladness. How expressively they looked at each other, during the tender
lulling Cradle-Song! and how the expression of their faces brightened
and softened, as the enchanting tones passed through the lively allegro
of the Dance, into the exquisite melody of the Serenade! But when
Cradle-Song, Dance, and Serenade all moved forward together in
delightful harmony, a three-fold chord of lovely melodies, the
transparent countenance of Ernest became luminous with his inward joy.
It was evident that Touchu had again laid her thrilling wand upon his
heart.
“How the deuce does he contrive always to delight himself?” thought
Alfred. “I wonder whether the music really _is_ any thing uncommon.”
Public-domain text, read in full here on John Shaqi.
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