Ave Roma Immortalis, Vol. 1: Studies from the Chronicles of RomeCrawford, F. Marion (Francis Marion)
History
Ave Roma Immortalis, Vol. 1: Studies from the Chronicles of Rome
Crawford, F. Marion (Francis Marion)
Rome (Italy) -- Description and travel
It is remarkable that so many of the monuments still preserved
comparatively intact should have been set up by the adoptive line of the
so-called Antonines, from Trajan to Marcus Aurelius, and that the two
monster columns, the one in Piazza Colonna and the one in Trajan's
Forum, should be the work of the last and the first of those emperors,
respectively. Among other memorials of them are the Colosseum, the Arch
of Titus and the statue mentioned above. The lofty Septizonium is
levelled to the ground, the Palaces of the Cæsars are a mountain of
ruins, the triumphal arches of Marcus Aurelius and of Domitian have
disappeared with those of Gratian, of Valens, of Arcadius and of many
others; but the two gigantic columns still stand erect with their
sculptured tales of victory and triumph almost unbroken, surmounted by
the statues of Saint Peter and Saint Paul, whose memory was sacred to
all Christians long before the monuments were erected, and to whom,
respectively, they have been dedicated by a later age.
There may have been a connection, too, in the minds of the people,
between the 'Column of Piazza Colonna' and the Column of the Colonna
family, since a great part of this Region had fallen under the
domination of the noble house, and was held by them with a chain of
towers and fortifications; but the pillar which is the device of the
Region terminates in the statue of the Apostle Peter, whereas the one
which figures in the shield of Colonna is crowned with a royal crown, in
memory of the coronation of Lewis the Bavarian by Sciarra, who himself
generally lived in a palace facing the small square which bears his
name, and which is only a widening of the Corso just north of San
Marcello, the scene of Jacopo Colonna's brave protest against his
kinsman's mistaken imperialism.
Public-domain text, read in full here on John Shaqi.
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