Ave Roma Immortalis, Vol. 1: Studies from the Chronicles of RomeCrawford, F. Marion (Francis Marion)
History
Ave Roma Immortalis, Vol. 1: Studies from the Chronicles of Rome
Crawford, F. Marion (Francis Marion)
Rome (Italy) -- Description and travel
Three years afterwards, Henry of Luxemburg alternately feasted and
fought his way to Rome to be crowned Emperor in spite of Philip the
Fair, the Tuscan league and Robert, King of Naples, who sent a thousand
horsemen out of the south to hinder the coronation. In a day Rome was
divided into two great camps. Colonna held for the Emperor the Lateran,
Santa Maria Maggiore, the Colosseum, the Torre delle Milizie,--the brick
tower on the lower part of the modern Via Nazionale,--the Pantheon, as
an advanced post in one direction, and Santa Sabina, a church that was
almost a fortress, on the south, by the Tiber,--a chain of fortresses
which would be formidable in any modern revolution. Against Henry,
however, the Orsini held the Vatican and Saint Peter's, the Castle of
Sant' Angelo and all Trastevere, their fortresses in the Region of
Ponte, and, moreover, the Capitol itself. The parties were well matched,
for, though Henry entered Rome on the seventh of May, the struggle
lasted till the twenty-ninth of June.
Those who have seen revolutions can guess at the desperate fighting in
the barricaded streets, and at the well-guarded bridges from one end of
the city to the other. Backwards and forwards the battle raged for days
and weeks, by day and night, with small time for rest and refreshment.
Forward rode the Colonna, the stolid Germans, Henry himself, the eagle
of the Empire waving in the dim streets beside the flag that displayed
the simple column in a plain field. It is not hard to hear and see it
all again--the clanging gallop of armoured knights, princes, nobles and
bishops, with visors down, and long swords and maces in their hands, the
high, fierce cries of the light-armed footmen, the bowmen and the
slingers, the roar of the rabble rout behind, the shrill voices of women
at upper windows, peering down for the face of brother, husband, or
lover in the dashing press below,--the dust, the heat, the fierce June
sunshine blazing on broad steel, and the deep, black shadows putting out
all light as the bands rush past. Then, on a sudden, the answering shout
of the Orsini, the standard of the Bear, the Bourbon lilies of Anjou,
the scarlet and white colours of the Guelph house, the great black
horses, and the dark mail--the enemies surging together in the street
like swift rivers of loose iron meeting in a stone channel, with a
rending crash and the quick hammering of steel raining desperate blows
on steel--horses rearing their height, footmen crushed, knights reeling
in the saddle, sparks flying, steel-clad arms and long swords whirling
in great circles through the air. Foremost of all in fight the Bishop of
Liège, his purple mantle flying back from his corselet, trampling down
everything, sworn to win the barricade or die, riding at it like a
madman, forcing his horse up to it over the heaps of quivering bodies
that made a causeway, leaping it alone at last, like a demon in air, and
standing in the thick of the Orsini, slaying to right and left.
Public-domain text, read in full here on John Shaqi.
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